Thursday, June 30, 2022

Will Vinson - Live At Smalls (2013)

London born alto saxophonist Will Vinson has been making a name for himself in New York as an exploring, cutting edge musician. Noted for his work in Ari Hoenig's group Punkbop, Vinson has been defining his sound and his own working group. With guitarist Lage Lund (also a SmallsLIVE artist) and rising piano star Aaron Parks, Marcus Gilmore on drums and Matt Brewer on bass, this is a serious set of music that includes some shimmering originals. ~ Amazon.com. 

SmallsLIVE, SL-0035, 2013
Recorded 4th-5th December, 2012 at Small Jazz Club, Greenwich Village, New York 

Musicians:
Will Vinson - Alto Saxophone
Aaron Parks - Piano
Lage Lund - Guitar
Matt Brewer - Bass
Marcus Gilmore - Drums 

Tracks:
1. The Clock Killer {Will Vinson} (10:19)
2. Star Of Greece {Will Vinson} (7:47)
3. Swagger {Lage Lund} (11:58)
4. Stablemates {Benny Golson} (9:42)
5. Squeeze {Will Vinson} (7:14)
6. Morning Glory {Duke Ellington} (6:04)
7. Albemarle {Will Vinson} (10:39) 

Total Time: 63:48 

Credits:
Executive Producer, Producer - Spike Wilner
Producer, Mixing - Ben Rubin [House of Cha Cha]
Engineer - Jimmy Katz
Mastering - Gene Paul [G&J Audio]
Design, Photography - Michelle Watt 

Stablemates

Monday, June 27, 2022

Will Vinson - Promises (2008)

It's been five years since British expat Will Vinson released his debut as a leader, It's For You (2004), but the alto and soprano saxophonist has been anything but dormant. Promises, may have been a long time in coming, but it demonstrates Vinson's palpable growth as a player but also, and perhaps more importantly, as a writer. Vinson's playing continues down the road, his own voice is emerging more confidently on this quintet session that features other up-and-comers including Aaron Parks. Ever inventive, Parks solos with the kind of confident sense of construction that supports his increasing acclaim, while acting as an empathic rhythm section partner with bassist Orlando le Fleming and drummer Rodney Green (Ari Hoenig replaces Green on the staggered funk of "Philos O' Fur.") Vinson also enlists guitarist Lage Lund who represents the next wave of guitarists. Promises is a mainstream set of a decidedly modern bent, featuring eight Vinson compositions that lean largely to the acoustic and the complex. Lund isn't afraid to pull out the occasional electronic trick, including some looping and reverse attack throughout the ever-shifting "Adventures of Bagpuss". Even when Vinson moves into slower territory, it's hardly balladic, although it is lyrical in its own way. On "Rose Tint" he works again in tandem with Lund. Vinson's warm tone on alto, his main axe, smoothes out the occasional jagged edges of his improvised lines while le Fleming and Green, ever empathic, maintain a smooth as silk cushion that's augmented by Parks' atmospheric voicings. With increased confidence as a player and writer, hopefully Vinson won't have to wait another five years to follow up to this fine album of modernistic mainstream jazz. ~ Extract by John Kelman, AAJ. 

Nineteen-Eight Records, 19/8 1007, 2008
Recorded 22nd December, 2006 at Legacy Recording Studios, New York City 

Musicians:
Will Vinson - Alto & Soprano Saxophones
Lage Lund - Guitar
Aaron Parks - Piano
Orlando Le Fleming - Bass
Rodney Green - Drums (#1,2,4-8)
Ari Hoenig - Drums (#3) 

Tracks:
1. Albemarle (8:36)
2. Believer (6:16)
3. Philos O' Fur (5:44)
4. Rose Tint (6:37)
5. Adventures Of Bagpuss (8:31)
6. Promises (7:52)
7. Lagonic (5:44)
8. Leafy (7:02) 

All Compositions by Will Vinson 

Total Time: 56:22 

Credits:
Producer, Mixing - Will Vinson
Engineer, Mixing - Alex Venguer
Mastering - Michael Perez-Cisneros
Design - Rachel Gutek
Photography - Jessie Simmons
Photography [Inside] - Alexandros Lambrovasilis 

Will Vinson Promises Quartet @ Musig-Im-Ochsen

Sunday, June 26, 2022

Bill Mobley - Mob Scene Singularity (2004)

Mob Scene is a group of New York jazz musicians led by trumpeter Bill Mobley, saxophonist Danny Walsh and drummer Pete Davenport. On this recording of originals penned by the three leaders they are joined by the cream of the NY jazz scene. The Memphis-born trumpeter Bill Mobley has been a fixture on the NY jazz scene since 1987. He is well-known as the leader of the Smoke Big Band that performs weekly at the Smoke Jazz Club as well for fronting his own small groups. Personnel: Bill Mobley (trumpet & flugelhorn), Danny Walsh (alto sax, tenor sax & flute), Pete Davenport (drums), Joey Lundeford, Gary Versace (piano & hammond B3), Carlo de Rosa, Ed Schuller (bass) and others. ~ prestomusic.com. 

There is like a musical rage which rustles under the music, intense and strong and the energy and the melodic verve are always present.” Once again, trumpeter Bill Mobley is an imperturbable conductor and arranger who always plays millimetric lines without seeming to touch them. ~ Jazz Magazine. 

Space Time Records, BG 2523, 2007
Recorded between 2002 and 2004 at:
Brooklyn Port O Call Studio, New York
Peter Karl Studios, Brooklyn, New York 

Musicians:
Bill Mobley - Trumpet, Flugelhorn
Danny Walsh - Alto Saxophone, Tenor Saxophone, Flute
Pete Davenport - Drums 

Mob Scene Artists:
Maria Lazzaro - Flute
Andy Strasmich - Bass Flute, Flute
Matt Hughes - Arco Bass (#1)
Gary Versace - Piano, Organ [Hammond B-3] (#2,6,7)
Joey Lunceford - Piano (#3-5,7)
Carlos DeRosa - Bass (#1,2,4)
Ed Schuller - Bass (#3,5-7)
Dave Jensen - Tenor Saxophone (#5)
Ed MacEachen - Acoustic Guitar, Electric Guitar (#6) 

Tracks:
1. Ontogeny {Bill Mobley} (4:56)
2. I Remember JW {Bill Mobley} (9:24)
3. Warlords {Danny Walsh} (9:47)
4. Ballet High {Bill Mobley} (7:54)
5. Miss Bennett {Bill Mobley} (11:14)
6. Stevie {Bill Mobley} (8:17)
7. Dimensions {Pete Davenport} (11:49) 

Total Time: 63:21 

Credits:
Producer - Bill Mobley
Producer, Recording - Pete Davenport
Recording Engineer - Jonathan Townes, Peter Karl
Mixing Engineer - Romain Frydman
Mastering Engineer - Antoine Demanke 

Ballet High

Saturday, June 25, 2022

Bill Mobley & The Smoke Big Band - Live At Smoke, Vol. 1 & 2 (2011)

'Live at Smoke' is the newest recording from trumpeter Bill Mobley and features him at the head of the renowned Smoke Big Band. This exceptional ensemble has a regular Monday night gig at the celebrated club located on Broadway, New York City and this double CD captures them at their very best. The recording features originals from Mobley and his band mates together with compositions by James Williams and Tony Williams, and two standards. Twelve of the albums thirteen tracks are arranged by the trumpeter, a veteran of the Mingus Dynasty and Maria Schneider Orchestra, and each selection is filled with a sense of exhilaration, dense and distinctive harmonies, and stirring solos. ~ Amazon.com. 

Space Time Records, BG 1134, 2012
Recorded 21st April, 2011 at Smoke Jazz & Supper Club, New York City 

Musicians:
Bill Mobley - Trumpet, Flugelhorn, Leader
Seneca Black - Trumpet, Flugelhorn, Leader
Mat Jodrell - Trumpet, Flugelhorn
Andy Gravish - Trumpet, Flugelhorn
Chris Persad - Trumpet, Flugelhorn
Tim Sessions - Trombone
Noah Bless - Trombone
Pete McGuinnes - Trombone, Vocals
Joe Gordon - Alto & Soprano Saxophones, Flute
Vito Chiavuzzo - Alto Saxophone, Flute
Jed Levy - Tenor Saxophone, Clarinet, Flute
Danny Walsh - Tenor Saxophone, Flute
Andrew Gutauskas - Baritone Saxophone, Bass Clarinet, Flute
Jon Davis - Piano
Phil Palombi - Bass
Scott Neumann - Drums 

Special Guests:
Bill Easley - Clarinet (Laura)
Thomas Heflin - Trumpet (Arioso)
Scott Reeves - Trombone (Arioso) 

CD1:
1. I Remember JW {Bill Mobley} (10:09)
2. The Hymnotist {Bill Mobley} (7:35)
3. Time Riff {Bill Mobley} (8:30)
4. Eastern Star {Bill Mobley} (4:48)
5. Four Play {James Williams} (5:50)
6. Laura {David Raksin} (8:09)
7. Eds Groove {Jon Gordon} (9:17) 

Time: 54:23 

CD2:
1. Upper West Side Story {Bill Mobley} (8:29)
2. Sister Cheryl {Tony Williams} (8:26)
3. Travelogue {Jed Levy} (7:02)
4. A Glance In Frozen Time {Bill Mobley} (7:16)
5. Arioso {James Williams; Arr. Scott Reeves} (9:57)
6. But Not For Me {George & Ira Gershwin} (6:23) 

Time: 47:37 

Total Time: 01:42:00 

Credits:
Producer - Bill Mobley, Blue Geodesics
Executive Producer - Walter H. Squindo
Production - Xavier Felgeyrolles
Recording & Mixing Engineer - Paul Stache, David Stoller
Mastering Engineer - Kevin Blackler
Photos - Adriano Mattero
Design - Natalia [Cargo Design] 

See also: www.billmobley.net. 

Arioso

Friday, June 24, 2022

Bill Mobley - Black Elk's Dream (2013)

Bill Mobley's new album Black Elk's Dream is dedicated to Sioux Indian Black Elk, whose famous book "The End of the Dream" (1932) dealt with the plight of Native Americans. Recorded "live" at the Jazz en Tête international festival, Bill Mobley conducts a luxury Franco-American sextet coupled with a very famous chamber orchestra (21 Strings): the Orchester d'Auvergne. The repertoire gives equal weight to originals and standards. One thing is certain: Billy Pierce is imperial (tenor or soprano), Stéphane Guillaume plays more awesome than ever (on the alto, but also on the flute and the bass clarinet), the young classical violinist Maud Lovett is remarkable, and as always, Bill Mobley plays chiseled solos, on the flugelhorn as on the trumpet. The rhythm is really top notch: Manuel Rocheman on the piano, the Italian-American bassist Phil Palombi and the fantastic Billy Kilson on drums. Donald Brown joins the set on one of his compositions, funkier & baroque than ever (the beautiful violinists were captivated!). In this album, the strings are neither Hollywood dancers nor demi-mondaines on the go. And question of writing for the strings, the original work of Bill Mobley already marks the spirits. ~ www.fnac.com. [Translated from French] 

Space Time Records, BG 1337, 2013
Recorded 24th October, 2012 Live at the Jazz en Tête Festival, Clermont-Ferrand, France 

Musicians:
Bill Mobley - Trumpet, Flugelhorn, Leader
Billy Pierce - Soprano Saxophone, Tenor Saxophone
Stéphane Guillaume - Alto Saxophone, Flute, Bass Clarinet
Manuel Rocheman - Piano (#1-6)
Phil Palombi - Bass
Billy Kilson - Drums
Donald Brown - Piano, Keyboards (#7,8)
Maud Lovett - Violin (#4,5)
Orchestre d'Auvergne 

Tracks:
1. Dream Team {Xavier Felgeyrolles} (6:11)
2. Four {Miles Davis} (7:26)
3. The Touch Of Your Lips {Ray Noble} (9:45)
4. Black Elk's Dream, Pt. 1 {Bill Mobley} (6:52)
5. Black Elk's Dream, Pt. 2 {Bill Mobley} (7:49)
6. Alex The Great {Harold Mabern} (11:34)
7. The People Who Live On Hope Street, Pt. 1 {Donald Brown} (9:57)
8. The People Who Live On Hope Street, Pt. 2 {Donald Brown} (5:36) 

Total Time: 65:13 

Four

Thursday, June 23, 2022

Bill Mobley - Moodscape (2007)

Mobley, well respected among musicians but sorely under-exposed, puts it all on the line in this terrific CD. Right from his entrance on Ray Noble's "The Touch of Your Lips," he invites you to be caressed by his beautiful, warm tone and subtle articulations. Pianist Mulgrew Miller, another artist deserving wider exposure - comps and stretches out with taste and command. "This Is The End Of A Beautiful Friendship" swings. Here Mobley's trumpet covers the standard's changes with a lyric, no-cliches feel and with gymnastic improvisational surprise. Bassist Robert Hurst's gentle push and drummer Eric Harland's tasteful, yet never overbearing cymbal work are both an absolute treat. On Jimmy Dorsey's beautiful "I'm Glad There Is You," Mobley's tone is simply beautiful, expressive and vocal. Miller and team interplay and support without stepping on toes. Mobley follows Lee Morgan in this trumpeter/composer tradition with the interesting offerings, "The Hymnotist" and "Time Riff." Mobley shows ability to work some terrific rhythmic variety in his solo work on both his composed charts. Mobley delivers Duke Ellington's "Prelude To A Kiss" simply beautifully, beautifully simple. "For Once In My Life," is the weak entry here. It's a bit too "club date-ish" when juxtaposed with the other terrific selections presented on the CD. Horserace brushes scoot you from the gate on "You and the Night and the Music." Mobley's Harmon-muted solo scampers crystal clean and is reminiscent of the speed and clarity of "speed clean harmonizing," Clark Terry. "Eastern Star," the final track, is a Mobley composition, dedicated to the late, great pianist James Williams. Miller's dream-like intro sets the stage for Mobley's dark, expressive, meditative melody. Harland's cymbal and drum work adds exotic flair. Overall, Mobley's work is highly impressive and intriguing here, an exciting trumpeter blipping and bebopping his way smack onto jazz radar screens. It's certainly about time - and talent. ~ Extract by Nicholas F Mondello, AAJ. 

Space Time Records, BG 2725, 2007
Recorded 9th, 10th January & 22nd August, 2007 at Systems Two Studios, Brooklyn, NY

Musicians:
Bill Mobley - Trumpet, Flugelhorn, Arranger
Mulgrew Miller - Piano
Robert Hurst - Bass
Eric Harland - Drums 

Tracks:
1. The Touch Of Your Lips {Ray Noble} (6:13)
2. This Is The End Of A Beautiful Friendship {Gus Kahn, Jule Styne} (6:13)
3. I'm Glad There Is You {Jimmy Dorsey, Paul Mertz} (8:04)
4. The Hymnotist {Bill Mobley} (6:16)
5. Time Riff {Bill Mobley} (6:16)
6. Prelude To A Kiss {Duke Ellington, Irving Gordon, Irving Mills} (5:58)
7. For Once In My Life {Ronald Miller, Orlando Murden} (6:45)
8. You And The Night And The Music {Howard Dietz, Arthur Schwartz} (5:03)
9. Eastern Star {Bill Mobley} (4:21) 

Total Time: 55:09 

Credits:
Producer - Xavier Felgeyrolles, Blue Geodesics
Executive-Producer – Walter H. Squindo
Recording & Mixing Engineer - Joe Marciano
Photography - Michel Vasset 

I'm Glad There Is You

Wednesday, June 22, 2022

Bill Mobley - Mean What You Say (1999)

Here, we have Bill’s second album as a leader and the first on Space Time Records. After releasing “Triple Bill” in 1996, Mobley went on to play as sideman for a number of well-known jazz artisans, including Donald Brown, Alan Dawson, Bill Easley, Geoff Keezer and Harold Mabern to name a few. Essentially, by the time he went to formulate this album he was well on his way as a noted trumpeter and composer. On this album he hand-picks a relatively similarly youthful team of players including: pianist Donald Brown, guitarist Jérôme Barde, bassist Essiet Essiet and drummer Billy Kilson. The album is structured around two quintet, three quartet and three duet groupings. The first three tunes are his own, the remaining compositions well-known jazz standards. Overall, the album clearly demonstrates a continued improvement in his delivery and will certainly appeal to any trumpet fan. 

Space Time Records, BG 9911, 1999
Recorded 1st-2nd April, 1999 at Studio Sysmo, Paris, France 

Musicians:
Bill Mobley - Trumpet, Flugelhorn, Arranger
Donald Brown - Piano (#1-4,6-8)
Jérôme Barde - Guitar (#1-2)
Essiet Essiet - Bass (#1-3,5-6,8)
Billy Kilson - Drums (#1-3,6,8) 

Tracks:
1. Twilight {Bill Mobley} (6:36)
2. New Light {Bill Mobley} (8:13)
3. Annie's Fan {Bill Mobley} (7:16)
4. Sophisticated Lady {Duke Ellington} (9:15)
5. Mean What You Say {Thad Jones} (6:15)
6. Love Walked In {George Gershwin} (6:44)
7. Pent Up House {Sonny Rollins} (5:07)
8. Out Of Nowhere {John Greene} (7:47) 

Total Time: 57:13 

Credits:
Producer - Bill Mobley
Executive-Producer - Walter H. Squindo
Recording Engineer - Pierre Bornard
Mastering Engineer - Raphaël Jonin 

Love Walked In

Tuesday, June 21, 2022

Bill Easley - First Call (1990)

The versatile alto and tenor saxophonist Bill Easley (who on other projects also plays other reeds) is showcased in top form on this CD, performing on two dates with a pair of overlapping groups. Assisted along the way by trumpeter Bill Mobley on five of the numbers, either Sir Roland Hanna or James Williams on piano, and George Caldwell's synthesizer for four of the eight songs, Easley is the main star throughout. He puts plenty of feeling into "It's All in the Game," takes "How Long Has This Been Going On" at a surprisingly fast pace, cooks on "Little Benny," and emulates Sonny Stitt on "Blues for Stitt." Although he has spent much of his career in the background, uplifting other singers and musicians' sessions in addition to working in the studios, Bill Easley shows on this set that he is fully capable of being the leader. This is one of his strongest efforts. ~ by Scott Yanow, AMG. 

Milestone Records, MCD-9186-2, 1991
Recorded 22nd, 29th October, 1990 

Musicians:
Bill Easley - Alto Saxophone, Tenor Saxophone
Bill Mobley - Trumpet (#3-6,8)
Roland Hanna- Piano (#1,2,7,8)
James Williams - Piano (#3-6)
George Caldwell - Synthesizer (#2,4,5,7)
J. J. Wiggins - Bass (#1,2,7,8)
Dave Jackson - Bass (#3-6)
Grady Tate - Drums 

Tracks:
1. It's All In The Game {Charles G. Dawes, Carl Sigman} (6:22)
2. Somewhere Along The Way {Kurt Adams, Sammy Gallop} (5:57)
3. How Long Has This Been Going On {George Gershwin} (7:36)
4. Oh, What A Dream {Chuck Willis} (8:16)
5. Soulful Bill {James Williams} (5:51)
6. Blues For Stitt {Bill Easley} (6:02)
7. Prelude To A Kiss {Duke Ellington, Irving Gordon, Irving Mills} (6:25)
8. Little Benny [aka Crazeology] {Bud Freeman, Benny Harris, Charlie Parker} (4:12)

Total Time: 50:41 

Credits:
Producer - Bob Porter
Engineer - Malcolm Addey
Assistant Engineer - Ron Allaire
Digital Mastering - George Horn
Art Direction - Phil Carroll
Photography - Frank Lindner
Design - Gilles Margerin
Liner Notes - Stuart Troup

Thursday, June 16, 2022

Jesse Davis - Horn Of Passion (1991)

Altoist Jesse Davis' debut as a leader finds the talented altoist very much influenced by Cannonball Adderley's sound at this early stage. He holds his own with the top-notch rhythm section (comprised of pianist Mulgrew Miller, bassist Rufus Reid and drummer Jimmy Cobb) on five standards and his own "C.P. Time," and performs four originals with a different quartet that includes tenor saxophonist Antoine Roney (brother of Wallace), bassist Tyler Mitchell and drummer Eric McPherson (son of Charles). Davis (25 at the time) showed a great deal of potential at this point and also displayed surprising maturity on the ballads. An impressive start to his career. ~ by Scott Yanow, AMG. 

Concord Jazz, CCD-4465, 1991
Recorded 24th-25th January, 1991 

Musicians:
Jesse Davis - Alto Saxophone
Antoine Roney - Tenor Saxophone (#4,6,9,10)
Mulgrew Miller - Piano
Rufus Reid - Bass (#1,2,3,5,7,8)
Tyler Mitchell - Bass (#4,6,9,10)
Eric McPherson - Drums (#4,6,9,10)
Jimmy Cobb - Drums (#1,2,3,5,7,8) 

Tracks:
01. CP Time {Jesse Davis} (3:56)
02. Here's That Rainy Day {Jimmy van Heusen, Johnny Burke} (7:59)
03. Stardust {Hoagy Carmichael, Mitchell Parish} (8:34)
04. Stop And Go {Jesse Davis} (4:54)
05. For Heaven's Sake {Donald Meyer, Elise Bretton, Sherman Edwards} (6:46)
06. Li'l Mac {Jesse Davis} (4:32)
07. Violets For Your Furs {Matt Dennis, Thomas M. Adair} (5:08)
08. Gone With The Wind {Allie Wrubel, Herbert Magidson} (6:14)
09. Testimonial {Jesse Davis} (6:30)
10. Cat Talk {Jesse Davis} (5:32) 

Total Time: 60:05 

Credits:
Producer - Carl Jefferson
Assistant Producer - Allen Farnham
Production Coordination - John Burk
Engineer - Ed Trabanco
Remixing - Phil Edwards
Mastering - George Horn
Art Direction - Kent Judkins
Photography - David Lubarsky
Liner Notes - Ira Gitler

Tuesday, June 14, 2022

Yano Saori - Yano Saori (2003)

Nimble, Fresh And Neat
=====================
Saori Yano seems to be a genius girl and a very serious performer at the same time. While he is good at Charlie Parker's works, unlike Parker who seems to have been devastating, he might be close to Coltrane in character in a jazz-critic style. That means practicing seriously, honing your skills, and playing hard. Some people seem to be negative for Mr. Coltrane's playing posture, but why is it bad? Saori Yano tries to make every single sound. It is a serious and neat performance. Her staple “Confirmation”, which is now always requested for live performances, sounds neatly and neatly, while playing at a faster tempo than Mr. Parker's performance. There is lightness and freshness. A good performance that makes you want to listen again as many times as you like. Great. By the way, it makes me listen to a more thrilling and powerful incandescent performance in the live, but that's why the performance of this CD will never fade forever. It is a performance that makes me think so. ~ Amazon Customer, 5 Stars, Amazon.com. [Translated from Japanese] 

Savoy Records, COCB-53061, 2003
Recorded 23rd March, 2003 at Columbia Studio No.2 (#1,2,7)
Recorded 7th & 8th April, 2003 at Columbia Studio No.2 (#3-6,8-11) 

Musicians:
Saori Yano - Alto Saxophone
Keiji Matsushima - Trumpet (#5,7,9)
Harold Mabern - Piano (#1,2,7)
Masaaki Imaizumi - Piano (#3-6,8-11)
Nat Reeves - Bass (#1,2,7)
Shin Kamimura - Bass (#3-6,8-11)
Joe Farnsworth - Drums (#1,2,7)
Masahiko Osaka - Drums (#3-6,8-11) 

Tracks:
01. Confirmation {Charlie Parker} (4:51)
02. Blue Bossa {Kenny Dorham} (5:41)
03. When You're Smiling {Joe Goodwin, Larry Shay, Mark Fisher} (5:45)
04. How To Make A Pearl {Saori Yano} (4:12)
05. My Little Suede Shoes {Charlie Parker} (4:35)
06. Black Orpheus {Luiz Bonfá} (6:26)
07. Bohemia After Dark {Oscar Pettiford} (5:19)
08. Marmaduke {Charlie Parker} (3:24)
09. Hoyden {Saori Yano} (7:23)
10. In A Sentimental Mood {Duke Ellington} (6:48)
11. It Could Happen To You {Jimmy van Heusen, Johnny Burke} (3:57) 

Total Time: 58:21 

Bohemia After Dark

Tuesday, June 7, 2022

Hank Marr - Hank & Frank (1998)

In a tribute to Count Basie, ex-Basie tenor saxophonist Frank Foster and Columbus, OH-based organist Hank Marr wend their way through 11 titles that, peripherally, have something to do with Basie. It's the ease of their swing, the simple melodies, and the direct approach that have to do with the Count, and the way these veterans tackle a few standards and their own originals, never forcing the issue. The underrated guitarist Cal Collins and drummer Jim Rupp provide rhythmic support. Of the seven Marr originals, the best is saved for last, the upbeat "Rhythmesque," where the band is on fire and Foster's blues-tinged boppish tenor jumps and jives. The turnaround on "April in Paris" called "Paris in April" is in the same key, Marr assimilating Wild Bill Davis' searing style and Foster playing tart sweet, as he does on most of the date. "Your Basic Gospel Tune," inspired by Horace Silver, is like a mix of "Groove Merchant" and "Red Top," Foster sounding happy and in tune with Marr's soulful, easy swinging. "Basie-cally Speaking" is based on "Whirly Bird"; "I'm Saving All My Hugs for You" is inspired by "Lil' Darlin'." Foster contributed the lone "Kathern the Great" for a discriminating fan in N.Y.C., another easy swinger with the organ at the end quoting "Who's Got the Last Laugh Now." Also included is the evergreen "Just a Closer Walk with Thee," where Marr uses a more church-oriented sound on one of his organ keyboards, a more burning approach on the other, quite like Jimmy Smith. "If I Had You," without Foster, is the lone feature for Collins, a ballad treatment where the guitar states the theme and extrapolates upon it, the organist does the same, then they both pine together. This is one of those recordings that sounds just fine, but begs for a follow-up. Foster's never played with any organist before, and Marr seems to be the perfect foil. ~ by Michael G. Nastos, AMG. 

Double-Time Records, DTRCD-134, 1998
Recorded 7th November, 1997 at Kentucky Center For The Arts, Louisville, Kentucky 

Musicians:
Hank Marr - Organ [Hammond B-3]
Frank Foster - Tenor Saxophone
Cal Collins - Guitar
Jim Rupp - Drums 

Tracks:
01. B Jam Shuffle {Hank Marr} (5:25)
02. Katherine The Great {Frank Foster} (6:13)
03. Your Basic Gospel Tune {Hank Marr} (6:47)
04. Basie-Cally Speaking {Hank Marr} (4:43)
05. I'm Saving All My Sweet Hugs 4U {Hank Marr} (6:24)
06. Paris In April {Hank Marr} (5:24)
07. Just A Closer Walk With Thee {Traditional} (8:38)
08. If I Had You {Jimmy Campbell, Reginald Connelly, Ted Shapiro} (3:38)
09. The Very Thought Of You {Ray Noble} (6:36)
10. Stolen Sweets {Wild Bill Davis} (4:17)
11. Rhythmesque {Hank Marr} (4:53) 

Total Time: 63:04 

Credits:
Producer, Mixing, Mastering - Jamey Aebersold
Engineer - Steve Good 

Katherine The Great

Sunday, June 5, 2022

Dick Griffin - Time Will Tell (2011)

This set of eight original tunes, all penned by trombonist/leader Dick Griffin is a testament to the old KISS adage: keep it simple, stupid. Get some good players together, write some straightforward melodies, and blow, and Griffin has assembled some good players. "Could It Be the Blues" strikes the perfect mood to open this record. Few instruments lend themselves to a blues as well as a trombone. Naturally plaintive, in the hands of a player like Griffin, the instrument takes on a human quality, an extension of the trombonist's voice. Griffin is widely known in the free jazz world and has made a name for himself for his circular breathing technique, but here - and throughout the session - he sounds happy to be just blowing, carefree. This is a blues in 3/4, with a few nice little twists along the way. "Home Song" is a very intuitive, hummable song with a memorable melody, while "For the Love in My Heart" cries out for lyrics. "Let's Take a Chance" shows off Griffin's ability to take a simple, singable little tune and craft it into a complete song - nothing fancy, just respect for where the melody wants to go. As with much of the record, this is a strong showcase for his sidemen, though there really are no sidemen on a project like this, especially with players of this caliber, and here everyone contributes to getting the songs off the ground and keeping the energy going. The combined experience of the group is quite something, typified by alto saxophonist/flautist James Spaulding - always such a joy to hear, and this record is no exception. The songs featuring him on flute ("Time Goes By", "My Fantasy") are some of the best of the set. His original plays off of the very famous title track, and the entry of flute, followed by bassist Cecil McBee and Griffin are sonically scrumptious. The band is at its finest on the cookin,' slightly sinister and vamp-driven "Mind Over," while the closing title track is like much of the record encapsulated. It features a very catchy phrase, endearingly played loosely by a front line of interesting sonic textures, followed by solid solos and empathetic accompaniment. Easy as pie. Griffin is a wonderful musician who has contributed mightily to improvised music. He is also a very talented painter, and is responsible for the wonderful cover art featured on Time Will Tell. ~ by William Carey, AAJ. 

Ruby Records, 0884501515689, 2011 

Musicians:
Dick Griffin - Trombone, Arranger
James Spaulding - Alto Saxophone, Flute (#5,7)
George Cables - Piano
Cecil McBee - Bass
Victor Lewis - Drums 

Tracks:
1. Could It Be The Blues {Dick Griffin} (5:01)
2. Home Song {Dick Griffin} (5:32)
3. For The Love In My Heart {Dick Griffin} (6:37)
4. Let's Take A Chance {Dick Griffin} (6:25)
5. Time Goes By {Dick Griffin} (6:02)
6. Mind Over {Dick Griffin} (5:47)
7. My Fantasy {Dick Griffin} (7:28)
8. Time Will Tell {Dick Griffin} (8:29) 

Total Time: 51:21 

Credits:
Producer - Dick Griffin
Cover Photo - Adjua Mantebea
Group Photo - Joanne Klein
Design - Sandy Jordan 

Some wonderful bop, some wonderful blues, a wonderful album.

Listen to Track here:
My Fantasy

Saturday, June 4, 2022

George Garzone, Jerry Bergonzi, Carl Winther Trio - Quintonic (2014)

"Gargonzi", "Berzone" call em whatcha like, the tenor sax duo of George Garzone and Jerry Bergonzi from "Beantown" (Boston, Mass) quite excite on this 2014 disc. This CD appears to have been sponsored by the Danish Music Publishers Society and features a more than able rhythm section of pianist Carl Winther (who not only produced the date but penned four of the tracks) Johnny Åman on bass, and Anders Mogensen on drums. The front line hornmen sport an "obbledeygobbeldy" manneristic which refers to a post-Coltrane technique (also developed by Dave Liebman, Steve Grossman, Bill Evans,et al) which involves a pumping off of the lower notes in order to get a ricochet-like effect escalating vertically to higher registers of the horn. Mind you this might be an anorakian pursuit of interest for saxophonists, but it is difficult to pull off and does have a distinctive and rather emotional, fiery edge to it. It sits well with both Garz and Gonz possessing dark and somewhat hollow, echoey tonal qualities which offer a refreshing contrast to the plethora of brighter, shimmery and brittle sounds that so many contemporary saxists have today. Winther's "Crystal Ball" has a gentle medium bluesy groove with a pensive and moody horn line that leads to heroic solos all round. Bergonzi contributed two pieces, the melodic "Idiosyncrasies" and the brisk 12 bar burner, "Ellwood" which offset Winther's repertoire nicely. Everything is well controlled throughout with squeaks, squeals and even the odd honk. Quality stuff indeed. ~  by Frank Griffith, JazzViews.net. 

Stunt Records, STUCD 14072, 2014
Recorded July, 2013 in Boston, Massachusetts 

Musicians:
George Garzone - Tenor Saxophone
Jerry Bergonzi - Tenor Saxophone
Carl Winther - Piano
Johnny Åman - Bass
Anders Mogensen - Drums 

Tracks:
1. Gargonzola {Carl Winther} (4:54)
2. Crystal Ball {Carl Winther} (7:40)
3. Idiosyncrasies {Jerry Bergonzi} (6:28)
4. Restless {Tomas Franck} (5:49)
5. Ellwood {Jerry Bergonzi} (7:46)
6. Abeid From Zanzibar {Carl Winther, Jerry Bergonzi} (6:07)
7. The Gargoyle Returns {Carl Winther} (5:37) 

Total Time: 44:26 

Producer - Carl Winther 

Ellwood

Friday, June 3, 2022

Alvin Queen feat. Jesse Davis & Terell Stafford - Mighty Long Way (2009)

Alvin Queen's longtime European expatriate status has apparently ended, as this recording for the veteran drummer was done in New York City with younger musicians who admire his veteran presence and solid mainstream jazz credentials. Several cuts hearken back to modified Jimmy Smith style organ combos, while others have a feel stemming from Art Blakey's Jazz Messengers, and some get down and dirty with the original funk of those like Horace Silver. Queen himself is a solid drummer who does not employ bashing or histrionics à la Elvin Jones, Tony Williams, or Jeff Watts, while his musicality is second to none, and rivals peers like Joe Chambers. Organist Mike LeDonne shines brightly as the glue on this session, with guitarist Peter Bernstein right by his side, while trumpeter Terell Stafford and alto saxophonist Jesse Davis prove a fine tandem that front the music in a faithful, straight-ahead, no-nonsense fashion. For those who are veteran listeners of jazz, you'll recognize a faithful version of Silver's "Cape Verdean Blues" with its wonderfully rich harmonies and churning rhythm, or Wayne Shorter's "United" with a similar Latin beat tacked onto a New Orleans feeling, not so much embellished as it is slightly shaded with LeDonne's organ. "I Got a Woman" is a typical, tried and true boogaloo groove that would make its author Ray Charles smile. Two obscure Oscar Peterson tunes are included, with "Sushi" a fast, insistent bop, and "Backyard Blues" a galloping romp/shuffle served under the tangy horns. Joe Pace, hardly known as a writer of jazz, contributed the title track in its happy, more contemporary modern organ combo format, while "Let Us Go into the House" certainly lives up to its singsongy, blues/gospel funk title. Davis brings to the repertoire the slow, cool, and basic "Blues on Q," as well as "Alba," a hip Blakey-type modern jazz swinger with Queen's drum fill-ins as pauses for thought and Bernstein's tasty guitar work. The obligatory Queen solo, "The Drum Thing," concludes the CD on a rumbling, tasteful note with help from Randy Weston's longtime conga player Neil Clarke. Were this to be a real working band (all of the participants are leaders in their own right,) jazz listeners would be shouting to the rafters for more of this excellent unit perhaps touring in support of this music. For now, this should do just fine as a quite memorable effort. ~ by Michael G. Nastos, AMG. 

Enja Records, ENJ-9522 2, 2009
Recorded 25th & 26th March, 2008 at Muzic Complex Studio, Dobbs Ferry, New York 

Musicians:
Alvin Queen - Drums
Terell Stafford - Trumpet, Flugelhorn
Jesse Davis - Alto Saxophone
Mike LeDonne - Organ [Hammond B-3]
Peter Bernstein - Guitar
Elias Bailey - Bass (#4,7)
Neil Clark - Congas, Percussion 

Tracks:
1. Mighty Long Way {Joe Pace} (5:23)
2. Sushi {Oscar Peterson} (7:48)
3. Cape Verdean Blues {Horace Silver} (6:25)
4. Blues On Q {Jesse Davis} (7:46)
5. I Got A Woman {Ray Charles} (7:41)
6. Backyard Blues {Oscar Peterson} (5:16)
7. Alba {Jesse Davis} (4:51)
8. Let Us Go Into The House {Joe Pace} (7:13)
9. Drum Thing {Alvin Queen} (8:46) 

Total Time: 61:09 

Credits:
Producer - Matthias Winckelmann
Audio Engineer - Vito Luizzi
Design - Franziska Erdle, David Winckelmann
Assistant Engineer - Alec Head
Cover Photo - Mark Wohlrab

Wednesday, June 1, 2022

Anders Mogensen - Taking Off (1995)

Anders Mogensen is currently being referred to as "the greatest Danish drummer since Alex Riel". His debut album on Storyville showcases Anders at his best. He is joined by a stellar cast of today's great musicians for a tour-de-force venture into musical nuances ranging from hard driving urban jazz grooves to subtle lyrical statements. Listen to this album and join the growing crowd of people who are already enjoying the sounds from one of the most exciting new artists on the jazz scene. ~ storyvillerecords.bandcamp.com. 

I'm Glad I Bought It
================
I'm a big fan of Rick Margitza. The contrast between Gary Thomas and Rick Margitza is very interesting. The sound of Gary Thomas is solid and I don't feel the charm as a tone, but I was impressed once again that he is following his own path without categorically changing his playing style from the time of his debut. ~ Leo, 5 Stars, Amazon.com. [Translated from Japanese] 

Storyville Records, STCD 4198, 1995
Recorded 1st October, 1994 at Sound on Sound, New York 

Musicians:
Anders Mogensen - Drums
Rick Margitza - Soprano Saxophone, Tenor Saxophone
Gary Thomas - Tenor Saxophone
Niels Lan Doky - Piano
Ron McClure - Bass [Acoustic] 

Tracks:
1. Emergence {Anders Mogensen} (1:09)
2. F.F. {Anders Mogensen} (9:11)
3. Lonely {Anders Mogensen} (7:06)
4. Take Off {Anders Mogensen} (11:56)
5. Evidence {Thelonious Monk} (4:18)
6. Missing You {Anders Mogensen} (9:59)
7. Softly As A Morning Sunrise {Sigmund Romberg, Oscar Hammerstein II} (8:02) 

Total Time: 51:44 

Credits:
Producer - Niels Lan Doky
Executive Producer - Karl Emil Knudsen
Engineer - Peter Beckerman
Assistant Engineer - John R. Reigart III
Mastering - Hans Nielsen, Anders Mogensen
Photography - Art Zimmerman

Magnifique ~ Claude Mischler, 5 Stars, Amazon.com.

Monday, May 30, 2022

Carl Winther Quartet - Tetragonz (2013)

Carl Winter has certainly inherited the blood of his father, the great Danish trumpeter Jens Winter, who died in 2011. Since then, Carl has become increasingly active as the leading young jazz pianist in Denmark. Like before he assembles a trio; made up of bassist Johnny Åman, replacing Joel Illerhag, and drummer Anders Mogensen; that is augmented by the presence of renowned and equally in demand tenorist Jerry Bergonzi. This time the quartet as formed in the previous work "Sonic Shapes" has evolved into a regular band, and while expanding its activities in Europe and the United States, it ushered itself forth into the Boston PBS Studios in late 2012 to record this album, and the following year it was released on the Danish ‘stunt’ label. As before, well-placed in this formation the master saxophonist’s exhilarating contribution runs unabated. Both players apart from their excellent musicianship are top-notch composers, with Carl penning seven and Jerry the remaining two compositions. As a result, this veteran tenor player and up-and-coming pianist's passionate encounter has exceled to create yet again a fine example of the next generation of vibrant jazz, enjoy! 

Stunt Records, STUCD 13042, 2013
Recorded November, 2012 at PBS Studios, Westwood, Boston, Massachusetts 

Musicians:
Carl Winther - Piano
Jerry Bergonzi - Tenor Saxophone
Johnny Åman - Bass
Anders Mogensen - Drums 

Tracks:
1. Tetragonz {Carl Winther} (5:08)
2. Somewhere {Carl Winther} (4:31)
3. Dawn {Carl Winther} (6:31)
4. Spectre {Carl Winther} (6:09)
5. Neverland {Carl Winther} (4:25)
6. Like Judas {Carl Winther} (9:04)
7. Gabriella {Jerry Bergonzi} (7:09)
8. Triotone {Carl Winther} (6:02)
9. Domolian Mode {Jerry Bergonzi} (5:21) 

Total Time: 54:20 

Credits:
Producer - Carl Winther, Jerry Bergonzi
Executive-Producer - Peter Littauer, Søren Friis
Recording - Peter Kontrimas
Cover - Paul Wilson
Photography - Antonio Porcar Cano 

Tetragonz

Friday, May 27, 2022

Renato Sellani Trio - A Mina (2004)

Jazz musicians all too frequently stick to standards from the Great American Songbook, so it makes sense for pianist Renato Sellani to put together a program of originals by modern composers of his native Italy. While nearly all of these songs may be unfamiliar to listeners outside of Europe, each of them proves to be a terrific vehicle for Sellani's trio, which includes bassist Massimo Moriconi and drummer Massimo Manzi. The leader contributed the touching "A Mina” (heard separately in a solo version and a trio performance), while Moriconi composed the pretty ballad "Cosi," played as a solo by Sellani. There are several guests added as well. Vocalist Tiziana Ghiglioni is featured in the haunting "Le Mille Bolle Blu" (the saxophonist is strangely unidentified, though it is likely Gianni Basso). Patrizia Conte is the singer on a playful duet of "Grande Grande Grande." Flügelhornist Enrico Rava joins the trio for the playful " Munasterio 'E Santa Chiara." This enjoyable session is warmly recommended. ~ by Ken Dryden, AMG. 

Philology Records, W 272.2, 2004
Recorded 6th November, 2003 at Mu Rec Studio, Milano, Italy 

Musicians:
Renato Sellani - Piano
Massimo Moriconi - Bass
Massimo Manzi - Drums
Guests:
Enrico Rava - Trumpet (#8)
Patrizia Conte - Vocals (#10)
Tiziana Ghiglioni - Vocals (#5,13) 

Tracks:
01. Vorrei Che Fosse Amore {Antonio Amurri, Bruno Canfora} (3:44)
02. Come Sinfonia [Take 1] {Pino Donaggio} (2:18)
03. Se C'È Una Cosa Che Mi Fa Impazzire {Antonio Amurri, Bruno Canfora} (3:29)
04. Così {Massimo Moriconi, Samuele Cerri} (3:20)
05. Le Mille Bolle Blu {Vito Pallavicini, Carlo Alberto Rossi} (6:46)
06. Io E Te Da Soli {Lucio Battisti, Giulio Rapetti} (4:01)
07. A Mina [Piano Solo] {Renato Sellani} (3:52)
08. Munasterio 'E Santa Chiara {Alberto Barberis, Michele Galdieri} (2:47)
09. Amorevole {Pino Massara, Vito Pallavicini} (4:18)
10. Grande Grande Grande {Alberto Testa, Tony Renis} (4:05)
11. Tintarella Di Luna {Bruno De Filippi, Franco Migliacci} (5:29)
12. You Never Told Me {Piero Piccioni, Lydia McDonald} (3:11)
13. E Se Domani {Carlo Alberto Rossi} (5:54)
14. Amina [Trio Version] {Renato Sellani} (4:19)
15. Come Sinfonia [Alternate Take] {Pino Donaggio} (3:27) 

Total Time: 61:04 

Credits:
Producer, Liner Notes - Paolo Piangiarelli
Engineer - Paolo Falascone
Mastering - Fabio Alfonsi
Graphics - Danilo Santinelli
Photography [Front] - Franco Mancini
Photography [Inside] - Valentino Paoletti

Thursday, May 26, 2022

Jerry Bergonzi Quartet - Live Gonz! II (2004)

Jerry is unique. You will enjoy every album! ~ Ingo Waaga, Amazon.com. 

Better Than Gonz! Live 1
====================
This Vol. 2 Of His Live Set Is Much More Straight Ahead Than Vol. 1 ~ JazzMan65, Amazon.com. 

Double Time Jazz, DTJCD-1002, 2005
Recorded Live at Duc Des Lombards, Paris, France 

Musicians:
Jerry Bergonzi - Tenor Saxophone
Renato Chicco - Piano
David Santoro - Bass
Andrea Michelutti - Drums 

Tracks:
1. I Remember You {Victor Schertzinger, Johnny Mercer} (15:10)
2. Si Señora {Jerry Bergonzi} (12:52)
3. Just Friends {John Klenner, Sam Lewis} (10:06)
4. Dexter {Jerry Bergonzi} (11:39)
5. Let's Pretend {Jerry Bergonzi} (10:39) 

Total Time: 60:27 

Credits:
Producer - Jerry Bergonzi
Executive Producer, Graphic Design - Jamey D. Aebersold
Recording - Serge Babkine
Engineer, Mixing & Mastering - Peter Kontrimas
Mixing & Mastering - Dave Santoro
Photography - Michael Tracy

Wednesday, May 25, 2022

Carl Winther Quartet - Sonic Shapes (2011)

One of these great new talents is 26-year-old Carl Winther. Trained at the Conservatory of Rhythmic Music in Copenhagen where he graduated in 2006, he has however already collected a parallel valuable personal experience playing on the jazz scene with a host of remarkable musicians. The recording of Sonic Shapes took place on May 31, 2011 after a successful tour of Danish and Swedish clubs. The quartet is very united and a new tour is already planned. This is not just another European trio being gold-plated by an American superstar. Bergonzi has nothing but praise for their collaboration, with the inspiration obviously flowing back and forth. ~ Amazon.com. [Translated from French] 

Stunt Records, STUCD 11162, 2011
Recorded 31st May, 2011 

Musicians:
Carl Winther - Piano
Jerry Bergonzi - Tenor Saxophone
Joel Illerhag - Bass
Anders Mogensen - Drums 

Tracks:
1. The Out Society {Carl Winther} (4:55)
2. Threshold {Jerry Bergonzi} (9:45)
3. The Prophet {Carl Winther} (7:28)
4. Uranian Overtones {Jerry Bergonzi} (6:43)
5. Yerevan Mama {Jerry Bergonzi} (6:03)
6. The Falcon {Carl Winther} (7:28)
7. James Moody {Jerry Bergonzi} (6:49)
8. The Core {Carl Winther, Jerry Bergonzi, Anders Mogensen} (4:49) 

Total Time: 54:04 

The Out Society

Saturday, May 21, 2022

Cecil Payne - Bright Moments (1979) [vinyl]


One of Payne's best albums. The review compares with Nick Brignola's LA Bound.

Chris Sheridan, Jazz Journal October 1980:
“The ability of groups with identical instrumentation to produce music of widely differing character is one of the constant joys of jazz. It is also a constant threat to the already fragile business of comparison, so this review intends, instead, to celebrate the positive differences between these two fine albums.
In general terms, there is the curious aspect that it is the older men who explore the more contemporary music (Equinox, Roland Kirk's Bright Moments). Brignola's album, then, is marginally the more conservative — but it is his best yet, just as Payne's is his best for a considerable time. Another point of difference is tonal. Payne, once the possessor of the hugest of baritone timbres has mellowed enormously, playing with almost no vibrato and an airy breathiness. Brignola plays his instrument fiercely, and with much of the rasping bite that characterised the younger Payne.
His programme is the more immediately infectious, with an emphasis on compelling up-tempo blowing (Quicksilver, Groovin' et al), balanced by pungency (Smada) and the sunny Latin approach (Bossa). There is only one ballad, and it is played with muscular tenderness. Payne's session, with a ballad medley succeeded by a slow, rocking modal performance, injects pace only for the boppish blues, Disorder, and Speak Low. Its depth is likely to be taken for granted, but both horns play with profundity, feeling and melodic grace. Nor does the relative immediacy of Brignola's LP debar such virtues — it possesses a conviction and inspiration which create lasting music.
Some individual honours: the warm sensitive entwining of lines in the Brignola-Dickerson duet, Spring Is Here; Watrous's incredible technique being at last geared to meaningful self-expression
(Quicksilver, Mellow Tone); Green's slippery bass, its dynamics and time; Pyne's logic and Payne's bustling lyricism; Fuller's balladic warmth (Lover Man) and up-tempo bite (Disorder). All in all, two excellent celebrations of honest music.”

01 - Ballad Medley
02 - Equinox
03 - Disorder At The Border
04 - Bright Moments
05 - Solar
06 - Speak Low

Curtis Fuller (tb) Cecil Payne (fl,bs)Mick Pyne (p) Dave Green (b) Alan Jackson (d)
London, July 19 & 20, 1979