Sunday, May 31, 2020

Scott Hamilton & Harry Allen - Heavy Juice (2004)

This CD has been a recording waiting to happen for twenty years. Back then, highschooler Harry Allen joined Scott Hamilton on stage at the Newport Jazz Festival for a cameo performance with the George Wein-led Newport All-Stars. Allen grew up in Rhode Island, which also claims Hamilton as a native son. And Hamilton certainly was a role model as Allen blossomed then—and fast became a welcome young player on the New York swing jazz scene. They've had occasional chances to collaborate on the bandstand. And now, Heavy Juice enables them to join a line of great tenor summit session pairings that through the years have included Ben Webster and Coleman Hawkins, Gene Ammons and Dexter Gordon, Ammons and Sonny Stitt, and Al Cohn and Zoot Sims. This is a splendid session in which two good musical friends mine common musical ground with very similar sounds. Both favor a breathy, growling Webster tone at times. These days, Allen comes more out of a Stan Getz melodic bag, which Hamilton explored in an earlier phase. At times, when they're playing in unison or locked into the same tone, it helps to know that Hamilton is on the left stereo channel, Allen on the right. The crack rhythm section provides a strong cushion, with John Bunch's dancing hands providing some elegant twists and turns at the piano. Nothing here disappoints, but their bop-meets-R&B take on "Blues Up and Down" by Ammons and Stitt ranks as my clear favorite. It's filled with an exuberant spirit of one-upmanship until they blend together for the final shout chorus. In contrast, the Duke Ellington ballad "Warm Valley" enables them to share a Websterish blend. From start to finish, through all eight tracks, this blend of Heavy Juice is very, very good. ~ by Ken Franckling, AAJ.

Concord Jazz, CCD-2258-2, 2004
Recorded 11th & 12th February, 2004 At Sound On Sound Recording, New York

Musicians:
Scott Hamilton - Tenor Saxophone
Harry Allen - Tenor Saxophone
John Bunch - Piano
Dennis Irwin - Bass
Chuck Riggs - Drums

Tracks:
1. Heavy Juice {Leroy Bass, Wilburt Prysock, Tiny Bradshaw} (6:04)
2. Did You Call Her Today? {Ben Webster} (6:57)
3. Groovin' High {Dizzy Gillespie} (7:03)
4. If I Should Lose You {Leo Robin, Ralph Rainger} (6:48)
5. Blues Up And Down {Gene Ammons, Sonny Stitt} (6:29)
6. If Dreams Come True {Benny Goodman, Edgar Sampson, Irving Mills} (8:32)
7. Warm Valley {Duke Ellington} (5:47)
8. Ow! {Dizzy Gillespie} (9:06)

Total Time: 56:46

Credits:
Producer - Scott Hamilton
Executive-Producer - John Burk
Recording & Mixing Engineer - Josiah Gluck
Mastering Engineer - Seth Presant
Design [Package Design] – Kurt Sievert
Photography - Jay Andersen
Liner Notes - Ira Gitler

Sunday, May 24, 2020

Kishi Mitsuaki Trio and Harry Allen (2017)

World renowned Japanese pianist Mitsuaki Kishi and his trio are joined by virtuoso tenorist Harry Allen on a fairly recent and remarkable date in Japan. Harry tours regularly in Japan and his following there is proof in this recording. Both musicians have no trouble blending together their unique skills. The choice of compositions certainly gives the listener an opportunity to hear these great players at their best. This wonderful meeting is exemplified by the cohesive interplay within Mitsuaki's own trio as they set about interpreting some well-known jazz standards and some modern pop songs. Included in the selection are a few tunes by Kiski and Harry manages to slip one of his own into the mix. This album was released in 2017 both on LP and CD in Japan on the unique Swing Brothers label. Presented here is the larger CD version giving the audiophile an hour plus of solid entertainment; any music lover won't be disappointed, Enjoy!

Swing Brothers Records, CMSB-28037, 2017
Recorded October, 2016 At Tago Studio, Takasaki City, ‎Gunma, Japan

Musicians:
Mitsuaki Kishi - Piano
Harry Allen - Tenor Saxophone
Yuhei Motokawa - Bass
Makoto Rikitake - Drums

Tracks:
01. I Won't Dance {Jerome Kern} (5:52)
02. Come Dance With Me {Jimmy Van Heusen} (5:25)
03. Let's Face The Music And Dance {Irving Berlin} (4:57)
04. By The Time I Get To Phoenix {Jimmy Webb} (5:21)
05. Let It Be {John Lennon, Paul McCartney} (5:25)
06. Oh, Prez Be Great! {Mitsuaki Kishi} (4:43)
07. An Affair To Remember {Harry Allen} (6:01)
08. Firefly {Cy Coleman} (3:38)
09. Hearbeat Of The Bear {Mitsuaki Kishi} (6:05)
10. Time On My Hands {Vincent Youmans} (4:07)
11. On The Sunny Side Of The Street {Jimmy McHugh, Dorothy Fields} (5:07)
12. What Are You Doing New Year's Eve? {Frank Loesser} (5:40)
13. When You Wish Upon A Star {Leigh Harline} (2:40)

Total Time: 65:01

Friday, May 22, 2020

Don Patterson - The Best Of Don Patterson & The Jazz Giants (1969)

The term "jazz giants" is no overstatement for this selection of choice tracks from the brilliant organist's output for Prestige between 1964 and 1969. The various lineups on the LP's six tracks are made up of players who excel in playing Patterson's brand of smart, hard-bopping soul jazz: Sonny Stitt, Pat Martino, Charles McPherson, George Coleman, Blue Mitchell, Junior Cook among others. Cohesive pacing and sound put this release a few notches above most all-star/best-of sets. There's no awkward shoehorning guests in for celebrity cameos, rather the players all sound like members of tight, working units. It helps to have Patterson stalwarts guitarist Martino and drummer Billy James on board for most of the music, as they share the artist's ability to generate exciting, hard-driving music with their great blues feeling and outstanding chops. The three tracks with Martino are the high points: Stitt's "Ratio and Proportion," Billy James' "Little Shannon," and Charlie Parker's "Donna Lee." As he consistently does in his work with Patterson, Martino impresses with his stunning rhythm work, in addition to his more widely recognized role as a killer soloist. The version of "Donna Lee" here is also significant for the presence of veteran bebopper Howard McGhee, who is in excellent form on this feature for his trumpet. The mark of a strong best-of package is one that stands on its own as a coherent presentation of the artist's work, as well as one that prompts the listener to seek out the complete sessions that were drawn on for the compilation. On both these accounts, this survey of Patterson's work is a complete success. ~ by Jim Todd, AMG.

Prestige Records, PRST 7772, 1969
Recorded 24th September, 1968 (#A1) in New York City
Recorded 2nd June, 1969 (#A2) At Van Gelder Studio, Englewood Cliffs, New Jersey
Recorded 22nd February, 1968 (#A3) in New York City
Recorded 10th May, 1967 (#B1) At Van Gelder Studio, Englewood Cliffs, New Jersey
Recorded 19th March, 1964 (#B2) At Van Gelder Studio, Englewood Cliffs, New Jersey
Recorded 5th June, 1968 (#B3) in New York City

Personnel:
Don Patterson - Organ
Virgil Jones - Trumpet (#A2)
Howard McGhee - Trumpet (#A3)
Blue Mitchell - Trumpet (#B3)
Charles McPherson - Tenor Saxophone (#A1)
Sonny Stitt - Tenor Saxophone (#A1,B2)
George Coleman - Tenor Saxophone (#A2)
Houston Person - Tenor Saxophone (#A2)
David "Fathead" Newman - Tenor Saxophone (#B1)
Junior Cook - Tenor Saxophone (#B3)
Pat Martino - Guitar (#A1-A3,B3)
Billy James - Drums (#A1,A3,B1,B2)
Frankie Jones - Drums (#A2)

Tracks:
A1. Ratio And Proportion {Sonny Stitt} (5:09)
A2. Perdido {Ervin Drake, Hans Lengsfelder, Juan Tizol} (8:50)
A3. Donna Lee {Charlie Parker} (6:16)
B1. Mellow Soul {Don Patterson} (6:35)
B2. Please Don't Talk About Me When I'm Gone {Sidney Clare, Sam H. Stept} (5:42)
B3. Little Shannon {Billy James} (6:56)

Total Time: 39:28

See Session Info [Personnel].txt for further details

Wednesday, May 20, 2020

Harry Allen Trio - I Know That You Know (1992)

Here we have an early Harry Allen CD released on a fairly obscure label in 1992. Harry is right at home in this trio setting. The listener truly gets to hear the richness of his playing as the trio perform a number of jazz standards. In many ways the individual qualities of each of the players are clearly heard in an uncomplicated manner, one of the benefits of a cohesive small grouping. Allen is joined on his tenor saxophone by John Coliani on piano and Michael Moore on bass. Together they produced a well-rounded album that is just right for multiple appraisals, overall a very pleasant and easy listening outing, Enjoy!

MasterMix Music Ltd., CHECD 00104, 1992
Recorded 18th January, 1992 in London, England

Musicians:
Harry Allen - Tenor Saxophone
John Colianni - Piano
Michael Moore - Acoustic Double Bass

Tracks:
01. Call Me Irresponsible (6:38)
02. Legs (6:52)
03. I Want To Laugh You Right Out Of My Life (3:30)
04. Baby Won't You Please Come Home (4:14)
05. It Was Just One Of Those Things (9:44)
06. I Get Along Without You Very Well (4:09)
07. Drifting (5:31)
08. I Know That You Know (4:49)
09. Souriya (4:21)
10. Desafinado (7:19)
11. Sleep (4:31)
12. Ther'll Never Be Another Spring (3:05)

Total Time: 65:44

Producer - James Campbell

Monday, May 18, 2020

Aldo Bassi Quartet - Distanze (1999)

Bassi formed the Aldo Bassi Quartet in 1998 to develop original jazz compositions. The album covers a range of moods, from the attractive waltz od "Dear Tom", a tribute to New York trumpeter Tom Harrell, through the tense conversation between the two horns at the start of "Past Years", to the probing, bluesy trumpet over a funky backbeat on "Reprise", or the graceful melodicism of the title track, "Distanze". Throughout we are reminded of the breadth of Bassi's experience. Distanze's acoustic grooves and eloquent simplicity ensure that this release will consolidate Bassi's reputation as one of the finest trumpeters on the jazz scene. ~ Extract from JazzHead notes

Philology Records, W 164-2, 1999
JazzHead Records, HEAD035, 2003
Recorded and Mixed 30th-31st January &1st-2nd February, 1999
At Crocodile Studio, Latina, Italy

Musicians:
Aldo Bassi - Trumpet, Flugelhorn
Enrico Bracco - Electric Guitar
Stefano Cantarano - Double Bass
Alessandro Svampa - Drums
Guest:
Mauro Panzieri - Oboe, English Horn

Tracks:
1. Dear Tom {Aldo Bassi} (6:39)
2. Waterfall {Stefano Cantarano} (7:01)
3. Past Years {Aldo Bassi} (7:14)
4. Nadir {Aldo Bassi} (6:49)
5. Reprise {Aldo Bassi} (7:47)
6. Distanze {Aldo Bassi} (7:08)
7. Zing {Aldo Bassi} (3:54)
8. Arabian Desire {Aldo Bassi} (7:00)
9. La Sagra Del Moscarino {Aldo Bassi} (8:23)

Total Time: 63:55

Credits:
Recording and Mixing - Claudio Olimpio, Mario Marcucci

It is with great regret that we learn that Aldo Bassi passed away on May 10, 2020. He suffered for a year from an incurable disease, dying at the age of 58. The family and all those who mourn him today, are offering their most sincere and heartfelt condolences. Among those who wanted to remember him were Paolo Fresu and Nicki Nicolai ~ Extract from JazzItalia.net.

Saturday, May 9, 2020

Harry Allen Quartet - A Little Touch Of Harry (1997)

Much lauded by jazz critics, 32-year-old tenor saxophonist Harry Allen is an example of perfection in motion on this collaboration with pianist Kenny Barron, bassist George Mraz, and drummer Al Foster. Throughout the 12 standards, Allen shows plenty of versatility, passion, precision, and panache. Working with one of the best New York rhythm sections, the saxophonist maintains a honey-toned sound at any tempo, not unlike performances on 17 earlier recordings. Allen is broadly talented. He capably refreshes bop-ish numbers ("From This Moment On" and "I Never Knew"), medium-swingers ("Luck Be A Lady Tonight" and "Easy To Love"), and a samba ("It Might as Well Be Spring"). Best, though, are his burnished, breathy tender tenorisms on ballads such as "Nobody’s Heart," "This Is All I Ask," "Spring Can Really Hang You Up the Most," and the finale, "I Get Along Without You Very Well." Indeed, a little touch of Harry goes a long way. Factor in the skills of Barron, Mraz, and Foster, and you have a welcome addition to any album collection. ~ Nancy Ann Lee, Jazztimes.com.

Sound Hills Records, SSCD8083, 1997
Recorded in 1997

Personnel:
Harry Allen - Tenor Saxophone
Kenny Barron - Piano
George Mraz - Bass
Al Foster - Drums

Tracks:
01. From This Moment On {Cole Porter} (6:26)
02. Luck Be A Lady Tonight {Frank Loesser} (5:28)
03. Nobody's Heart {Richard Rodgers, Lorenz Hart} (4:48)
04. Just Like Another Dream {Harry Allen, Gloria Planner)} (4:45)
05. All God's Chillin' Got Rhythm {Walter Jurmann, Gus Kahn, Bronisław Kaper} (4:16)
06. I Wanna Be Around {Sadie Vimmerstedt, ‎Johnny Mercer} (6:36)
07. This Is All I Ask {Gordon Jenkins} (6:38)
08. I Never Knew {Gus Kahn, Ted FioRito} (4:28)
09. It Might As Well Be Spring {Richard Rodgers, Oscar Hammerstein II} (6:35)
10. Spring Can Really Hang You Up The Most {Tommy Wolf, Fran Landesman} (6:19)
11. Easy To Love {Cole Porter} (6:16)
12. I Get Along Without You Very Well {Hoagy Carmichael} (4:07)

Total Time: 66:42

Friday, May 8, 2020

Susana Sheiman & Ignasi Terraza Trio - Swing Appeal (2011)

"The Sheiman-Terraza combination produces spectacular results, and this latest record, Swing appeal, is definitely one of the highlights of Spanish Jazz. Susana Sheiman gradually commands our respect and She is, without a shadow of a doubt, the best vocalist we have. In this programme they have specifically chosen lesser known themes by the best composers. They keep away from the more famous "war horses" but when it is all about well-known compositions, they are very good indeed, such as I don’t mean a thing, which Susana has transformed into something exceptional. Our singer takes risks and performs high-wire acrobatics, but she always ends up in the right place. Susana is superb. And what can I say about Ignasi? An iron fist in a velvet glove". ~ by Alfredo Papo.

Swit Records, SWIT10, 2011
Recorded 25th & 26th January, 2011 At Estudi Oido, Barcelona, Spain

Musicians:
Susana Sheiman - Vocals
Ignasi Terraza - Piano, Arranger
Giorgos Antoniou - Bass
Esteve Pi - Drums

Guests:
Damon Brown - Trumpet (#1,11)
Jesse Davis - Alto Saxophone (#5,7)
Oscar Alonso - Percussion (#6,12)

Tracks:
01. I'm Glad There Is You {Jimmy Dorsey, Paul Mertz} (5:35)
02. P.S. I Love You {Johnny Mercer, Gordon Jenkins} (4:15)
03. Spring Can Really Hang You Up The Most {Fran Landesman, Tommy Wolf} (5:13)
04. Just One Of Those Things {Cole Porter} (3:02)
05. Good Morning Heartache {Dan Fisher, Ervin Drake, Irene Higginbotham} (6:03)
06. Where Or When {Richard Rodgers, Lorenz Hart} (2:56)
07. Emotional Dance {Ignasi Terraza, Susan Sheiman} (4:19)
08. Glad To Be Unhappy {Richard Rodgers, Lorenz Hart} (6:14)
09. Never Let Me Go {Ray Evans, Jay Livingston} (3:51)
10. Don't Ever Leave Me {Jerome Kern, Oscar Hammerstein II} (2:42)
11. It Don't Mean A Thing [If It Ain't Got That Swing] {Duke Ellington} (5:04)
12. There'll Be Another Spring {Peggy Lee, Edd Wheeler} (3:30)

Total Time: 52:14

Credits:
Producer - Ignasi Terraza
Executive Producer - Susana Sheiman
Recording & Mixing Engineer - David Casamitjana
Mastering Engineer - Pep Roig
Art Direction, Graphic Design - Natalia Cuadrado
Photography - Julio Cunill


Thursday, April 30, 2020

Pucho & The Latin Soul Brothers - Tough! (1966)

A bit more jazz and pop-oriented than some of his later sessions, with covers of "Yesterday," "The Shadow of Your Smile," "And I Love Her," "Walk On By," and "Goldfinger." However, when Pucho decides to pull out the funky grooves -- as he does on "Cantaloupe Island," "Vietnam Mambo," and "Strange Thing Mambo" - he and the Latin Soul Brothers can smoke. Even at its slightest, this is decent mood music. At its best, it's significantly more than that, Enjoy!

The Latin Soul Brothers were at their best when they went for the hottest and funkiest grooves, as on their fine version of "Cantaloupe Island," or eccentrically titled originals like "Soul Yamie" and "Vietnam Mambo." The Latin Soul Brothers certainly couldn't have been accused of predictability, incorporating straight modern jazz chops, psychedelic flourishes, and soul-jazz organ grooves into their repertoire when the mood suited them. The constant factor was the active Latin percussion section, featuring conga, bongos, and Pucho's own timbales. ~ Extract by Richie Unterberger, AMG.

Prestige Records, PRST 7471, 1966
Recorded 15th February, 1966 At Van Gelder Studio, Englewood Cliffs, NJ

Personnel:
Henry "Pucho" Brown - Timbales
Vincent McEwan - Trumpet
Claude Bartee - Tenor Saxophone
William Bivens - Vibraphone
John Spruill - Piano
Jon Hart - Bass
Richie “Pablo” Landrum - Congas
Norberto Apellaniz - Bongos

Tracks:
A1. Cantaloupe Island {Herbie Hancock} (3:49)
A2. Walk On By {Burt Bacharach, Hal David} (2:37)
A3. Just For Kicks {James Phillips} (2:37)
A4. And I Love Her {John Lennon, Paul McCartney} (3:41)
A5. Vietnam Mambo {Pucho} (4:00)
B1. The Shadow Of Your Smile {Johnny Mandel, Paul Francis Webster} (5:09)
B2. Strange Thing Mambo {Arthur Sterling} (2:30)
B3. Goldfinger {John Barry, Leslie Bricusse, Anthony Newley} (5:06)
B4. Yesterday {John Lennon, Paul McCartney} (3:07)

Total Time: 32:36

Credits:
Producer - Cal Lampley
Engineer - Rudy van Gelder
Design, Photography - Don Schlitten
Notes - Ahmad Basheer (April 1966)

Wednesday, April 29, 2020

Richard "Groove" Holmes - Living Soul (1966)

Tight trio material from the legendary Richard Groove Holmes - caught live at Count Basie's Nightclub in Harlem, working hard and heavy with a trio that features Gene Edwards on guitar and George Randall on drums! This live set is the kind of record that beautifully shows why Groove was so popular with live audiences in the 60s - because he can burn all night long, with no tricks, no gimmicks, just a straight-on soul jazz groove and some amazing work on the Hammond! Most cuts are pretty long - and there's some great groovers on here like Gerald Wilson's "Blues For Yna Yna", a cover of "Girl From Ipanema", Jimmy Heath's "Gemini", and Groove's own "Living Soul". © Dusty Groove, Inc.

Prestige Records, PRST 7468, 1966
Recorded 22nd April, 1965 Live! At Count Basie's, New York

Musicians:
Richard "Groove" Holmes - Organ
Gene Edwards - Guitar
George Randall - Drums

Tracks:
A1. Living Soul {Richard "Groove" Holmes} (8:41)
A2. Blue For Yna Yna {Gerald Wilson} (5:17)
A3. The Girl From Ipanema {Gimbel, Jobim, Moraes} (5:03)
B1. Gemini {Jimmy Heath} (9:19)
B2. Over The Rainbow {Harold Arlen, E.Y. "Yip" Harburg} (7:03)

Total Time: 35:23

Credits:
Producer - Cal Lampley
Recording & Mastering - Rudy van Gelder
Design, Photography - Don Schlitten
Liner Notes - Ahmad Basheer

Note:
Photo taken at the Front Room Newark, New Jersey

Sunday, April 26, 2020

Charles Fambrough - Upright Citizen (1997)

The heart of a jazz fan beats like Fambrough's bass, driving the lifeblood of warm sounds through the speakers and into the brain. Some bassists, in their own sessions, favor percussive and percolating arrangements that place the instrument in the role of soloist. Charles Fambrough actually seems to downplay the bass on Upright Citizen, ceding the spotlight to guests like Grover Washington, Jr. and Joe Ford. Fambrough's domain here is the rhythm section, adding programmed drums to his basslines in order to get the right foundation in place. As the captain of this ship, Fambrough ensures a smooth ride, absorbing the shock in Alex Bugnon's potentially bumpy "In Stride" and making sure a track like "D's Song" has the right amount of snap to it. Though Fambrough built his reputation largely on bop, Upright Citizen is more of a crossover album, lyrical and light on its feet. There are certainly stretches of substance, such as George Duke's piano solo on "It's Not Easy Havin' Fun," but even here the soprano sax washes away the intellectualism in a simple, cleansing motion. This session doesn't completely qualify as smooth jazz; there's more afoot than sweet sounds and mildly funky rhythms, yet even the most complex passages are never far removed from an ingratiating and warmly rendered melody. If you enjoy the sound of the soprano sax but find Kenny G a little light for your tastes, Upright Citizen might be right for you. The disc was reissued by Random Chance in 2002, with a different cover and slightly scrambled track order that essentially flip-flopped the opening and closing songs, among other things. The original 1997 Nu Groove recording is rich, vibrant, and clean, so you can't go wrong with either copy. ~ by Dave Connolly.

NuGroove Records, NUG-3003, 1997
Random Chance Records, RCD-7, 2002

Musicians:
Charles Fambrough - Bass (#1,2-4,6-9), Keyboards (#1), Programmed Drums (#3,4,7,8)
John Swana - Trumpet (#1), Muted Trumpet (#6,8), EUI (#6,7)
Gerald Albright - Alto Saxophone (#6)
Joe Ford - Soprano Saxophone (#1-3,5,7,8)
Grover Washington Jr. - Soprano Saxophone (#4,9)
Alex Bugnon - Piano (#1,5), Keyboards (#1,5,8)
Bruce Barth - Piano (#2), Keyboards (#2)
Mulgrew Miller - Piano (#3), Keyboards (#3,4)
George Duke - Piano [Solo] (#4), Keyboards (#4,6)
Rich Budesa - Piano [Solo] (#8)
Bill O'Connell - Piano (#9)
Nick Sistrun - Guitar (#1)
Gerald Brown - Drums (#2,9)
N'Dugu Chancelor - Drums (#4,6)
Pete Vinson - Drums, Poogie Bell-Trumpet, Programmed Drums (#5)
Marlon Simon - Percussion (#1,9)
Edson D'Silva (cafe) - Percussion (#2,9)
Munyungo Jackson - Percussion (#1,6)
Jon Lucien - Vocals (#2)

Tracks:
1. Fun City {Charles Fambrough} (4:25)
2. Bright Eyes {Charles Fambrough} (7:40)
3. D's Song {Charles Fambrough} (5:04)
4. It's Not Easy Having Fun {Charles Fambrough} (5:43)
5. In Stride {Alex Bugnon} (5:01)
6. Disguises {John Swana, Charles Fambrough} (7:59)
7. Dina {Charles Fambrough} (5:09)
8. Down The Way {Charles Fambrough} (4:17)
9. Main Street {Bill O'Connell} (4:00)

Total Time: 46:18

Credits:
Producer - Charles Fambrough, Stuart Alan Love
Executive Producer - David Chackler

Thursday, April 23, 2020

Al Casey - The Al Casey Quartet (1960)

Albert Aloysius Casey, guitarist and bandleader: born Louisville, Kentucky 15 September 1915; married (one son); died New York 11 September 2005. Casey came from a musical family and was forced to learn the violin. He hated the sound of it and as soon as he could jettisoned it for the ukulele. Once in New York he studied guitar at DeWitt Clinton High School before his uncles sent him to the Martin Smith Music School for three years.

During the first part of his career Casey played a mainly chordal style on the guitar and it was only later, after Fats Waller's death in 1943, that he concentrated on electric guitar and the delightful single string solos that swung so much. He had such a powerful ability to swing that he had no need for complex solos and compared to other guitarists used a minimum of notes. This style can best be heard on the remarkably swinging blues feature that he recorded with Waller "Buck Jumpin' " (1941). This was a big hit at the time and Casey continued to play it regularly for the rest of his career. As far as could be judged it never lost any of its irresistible swing in later performances. ~ Extract by Steve Voce, Independent.co.uk.

Moodsville Records, MVLP 12, 1960
Recorded 10th November, 1960 Van Gelder Studio, Englewood Cliffs, New Jersey

Musicians:
Al Casey - Guitar
Lee Anderson - Piano
Jimmy Lewis - Bass
Beltan Evans - Drums

Tracks:
A1. Blue Moon {Richard Rodgers, Lorenz Hart} (4:35)
A2. These Foolish Things {Harry Link, Jack Strachey, Eric Maschwitz} (6:45)
A3. All Alone {Irving Berlin} (5:25)
B1. Don't Worry About Me {Rube Bloom, Ted Koehler} (5:51)
B2. Dancing In The Dark {Howard Dietz, Arthur Schwartz} (4:23)
B3. I'm Beginning To See The Light {James, Ellington, Hodges, George} (4:47)
B4. A Case Of Blues {Jimmy Lewis} (2:52)

Total Time: 34:38

Credits:
Recording Engineer - Rudy van Gelder
Liner Notes - Joe Goldberg

Wednesday, April 22, 2020

Dave Pike - Plays The Jazz Version Of Oliver! (1963)

Dave Pike Plays the Jazz Version of Oliver! is an album by American jazz vibraphonist Dave Pike performing compositions by Lionel Bart from the musical Oliver! which was recorded in 1962 for the Moodsville label. Dave turns his hand to a well-loved musical and one that future generations will no doubt cherish. Dave's interpretation of Bart's compositions are wondrously arranged and joining him is a prominent grouping of veteran jazz musicians; including pianist Tommy Flanagan, guitarist Jimmy Raney, bassist George Tucker and Drummer Walter Perkins; all noted for their exceptional contributions to other album from this era. Dave's vibes are scintillating as per usual producing a very moving and compelling expose of these seminal writings. All tunes reflect the sensitive emotions that this Broadway musical and Hollywood movie portrayed. An included gem is the bassist's solo of the moving rendition of "Boy For Sale'. Ideally the album could easily have been expanded to include all of the tunes, but with what is offer here the listener can't and will not be disappointed, enjoy!

Moodsville Records, MVST 36, 1963
Recorded 28th December, 1962 At Van Gelder Studio, Englewood Cliffs, NJ

Musicians:
Dave Pike - Vibraphone, Arranger
Tommy Flanagan - Piano
Jimmy Raney - Guitar
George Tucker - Bass
Walter Perkins - Drums

Tracks:
A1. I'd Do Anything {Lionel Bart} (4:52)
A2. As Long As He Needs Me {Lionel Bart} (5:44)
A3. Who Will Buy? {Lionel Bart} (6:16)
B1. Food, Glorious Food {Lionel Bart} (3:22)
B2. Boy For Sale {Lionel Bart} (1:19)
B3. Where Is Love? {Lionel Bart} (5:57)
B4. It's A Fine Life {Lionel Bart} (4:51)

Total Time: 32:21

Credits:
Producer, Design, Photo - Don Schlitten
Recording Engineer - Rudy van Gelder
Liner Notes - Dan Morgenstern

Friday, April 17, 2020

Maynard Ferguson - Maynard Ferguson 1969

This is probably Maynard's most enjoyable album ever. Different versions of some of the tunes were released on other albums, but this recording is special. I've heard virtually all of Maynard's recordings, and this one is the only one that uses more natural acoustics so you get to hear Maynard's sound without a lot of amplification, as it would be heard in a good concert hall. The effect is a natural, reverberant sound completely unlike super-dry jazz studio recordings or overload-the-mic "live" recordings. This is Maynard at the height of his powers, with a fantastic band, playing the big band jazz he did so well before his more commercial endeavors. Most notably, this album features Maynard's most dramatic reading of "Ole," with mind-blowing trips into the stratosphere, and a version of "Got the Spirit" that features Maynard far more than the "Live at Jimmy's" recording. Highly recommended. ~ Music Is Everything, Amazon.com.

MPS Records, MPS 15 166 ST, 1968
Prestige Records, PRST 7636, 1969
Recorded circa mid-December, 1967 in Baden-Baden, Germany

Personnel:
Maynard Ferguson - Trumpet
Rolf Schneebiegl - Trumpet, Flugelhorn
Klaus Mitschele, Karl Sauter, Siegfried Achhammer - Trumpet
Gerhard Lachmann, Heinz Hermannsdorfer, George Hohne - Trombone
Werner Betz - Bass Trombone

Bernd Fischer, Werner Baumgart - Alto Saxophone, Clarinet
Bert Huseman - Tenor Saxophone, Solo (#B2), Flute
Rudi Flierl - Tenor Saxophone, Bass Clarinet
Johnny Feigel - Baritone Saxophone, Solo (#A2)
Dieter Reith - Piano, Solo (#A4)
Jurgen Franke - Guitar
Werner Schulze - Bass
Herman Mutschler - Drums
Rolf-Hans Mueller - Conductor
Arranger - Michael Abene (#A1,A2)

Tracks:
A1. Almost Like Being In Love {Al Jay Lerner, Frederick Loewe} (1:51)
A2. Knarf {Michael Abene} (4:29)
A3. Ole {Maynard Ferguson, Slide Hampton} (7:07)
A4. Dancing Nitely {Bill Holman} (5:08)
B1. Tenderley {Jack Lawrence, Walter Gross} (3:02)
B2. Whisper Not {Benny Golson, Milt Jackson} (6:23)
B3. Got The Spirit {Slide Hampton} (9:26)

Total Time: 37:26

Wednesday, April 15, 2020

Archie Shepp - Coral Rock (1970)

Coral Rock features an absolutely monster free jazz lineup. Fans of other releases on America or the BYG Actuel series should be familiar with a number of these sidemen: Bobby Few, Clifford Thornton, Muhammad Ali, Joseph Jarman. Particularly of interest, though, might be the under-recorded Alan Shorter, who contributed the title track. This piece is especially reminiscent of "Mephistopheles," a tune that appeared (in different capacities) on his brother Wayne's similarly great Blue Note LP The All Seeing Eye and certain reissue pressings of the self-titled Marion Brown record on ESP. Like "Mephistopheles," "Coral Rock" features a lumbering, march-like bassline and incredibly dissonant head. "Coral Rock," however, is much looser and, for this reason, it would be difficult to imagine it on a Blue Note release of any kind. This is free jazz straight out of the late-'60s/early-'70s Paris scene. Very serious stuff. That having been said, the inclusion of the standard "I Should Care" may come as a surprise, but one should keep in mind that no matter how far out Archie Shepp got, his roots have always been firmly planted in the past. It is seemingly presented here more as a vehicle for pianist Bobby Few than anything else and, within Shepp's catalog, might be compared to the free blues of "Damn If I Know (The Stroller)" from his 1968 Impulse LP, The Way Ahead. This session was reissued in the States by Prestige. ~ by Brandon Burke, AMG.

America Records, 30 AM 6103, 1970
Prestige Records, PRST 10066, 1973
Recorded 23rd July, 1970 At Studio Decca, Paris, France

Musicians:
Archie Shepp - Tenor Saxophone, Piano
Lester Bowie - Trumpet
Al Shorter - Flugelhorn
Clifford Thornton - Valve Trombone
Bobby Few - Piano
Bob Reid - Bass
Mohamed Ali - Drums
Ostaine Blue Warner - Percussion
Djibrill - Conga Drums

Tracks:
A. Coral Rock {Alan Shorter} (22:09)
B. I Should Care {Axel Stordahl, Paul Weston, Sammy Cahn} (14:05)

Total Time: 36:14

Credits:
Producer - Pierre Berjot
Photography - Gilbert Moreau
Sleeve Notes - Valerie Wilmer

Monday, April 13, 2020

Willis Jackson - In My Solitude (1961) [vinyl]

One of the rarest Willis Jackson albums of the 60s - recorded for the smaller Moodsville subsidiary of Prestige, and done in a dreamy late nite mode that's quite different from some of Jackson's other sets! The group is a quartet with Richard Wyands on piano - offering a starker, darker backing than Willis received on his organ-based albums for Prestige - a sound that allows Jackson to open up in these mellow and introspective solos, blown out of sadness into the darkness - with a tone and sound that seems to know no bottom. The set is recorded with a nice use of echo that seems to enforce this quality - and titles include "It Never Entered My Mind", "Home", "They Didn't Believe Me", "Estrellita", and "In My Solitude". © Dusty Groove, Inc.

Prestige/Moodsville Records, MVLP 17, 1961
Recorded 10th January, 1961 (#A4) & 11th April, 1961 (#A1-A3,B1-B4)
At Van Gelder Studio in Englewood Cliffs, New Jersey

Personnel:
Willis Jackson - Tenor Saxophone
Richard Wyands - Piano (#A1-A3,B1-B4)
Jimmy Neeley - Piano (#A4)
Peck Morrison - Bass (#A1-A3,B1-B4)
Wendell Marshall - Bass (#A4)
Mickey Roker - Drums (#A1-A3,B1-B4)
Gus Johnson - Drums (#A4)
Juan Amalbert - Congas (#A4)

Tracks:
A1. Nobody Knows The Trouble I Seen {Traditional} (4:12)
A2. Sometimes I Feel Like A Motherless Child {Traditional} (3:41)
A3. [In My] Solitude {Eddie DeLange, Duke Ellington, Irving Mills} (5:04)
A4. Estrellita {Manuel Ponce} (4:11)
B1. It Never Entered My Mind {Lorenz Hart, Richard Rodgers} (4:03)
B2. They Didn't Believe Me {Jerome Kern, Michael E. Rourke} (3:38)
B3. Home {Harry Clarkson, Geoffrey Clarkson, Peter van Steeden} (5:11)
B4. Nancy [With The Laughing Face] {James van Heusen, Phil Silvers} (5:23)

Credits:
Producer, Photo - Esmond Edwards
Recording Engineer - Rudy van Gelder
Design - Don Schlitten
Liner Notes - Sidney Falco

Sunday, April 12, 2020

David "Fathead" Newman - Concrete Jungle (1978) [vinyl]


David "Fathead" Newman has appeared through the years in both straight-ahead and commercial settings. This LP leans towards latter category; Newman here is and was a versatile performer and, on this album, he divides his time almost equally between alto, soprano, tenor and flute showcasing his ability to produce some wonderful Soul/Jazz-Funk. On this date he is accompanied by an electrified rhythm section that includes Pat Rebillot on keyboards and guitarist Jay Graydon backed by a string orchestra arranged by William Fischer. Included in the assemble are other players such as Jimmy Owens, Earl McIntyre, Babe Clarke, Clarence Thomas, Kenneth Harris and Kermit Moore. The tunes include McCoy Tyner's "Blues For Ball", Buddy Johnson "Save Your Love For Me", Stevie Wonder’s "Knocks Me Off My Feet", Bob Marley's "Concrete Jungle" and Marvin Gaye's "Distant Lover" and one of his own "Sun Seeds." Fischer’s arrangements truly compliment this material which can be criticised as being a bit dated, but David's skills are a truly masterful example of this late great player, Enjoy!

Prestige Records, P-10104, 1978
Recorded November, 1977 At Fantasy Studios, Berkeley, CA & New York City

Musicians:
David "Fathead" Newman - Flute, Soprano, Alto and Tenor Saxophones
Pat Rebillot - Keyboards
Jay Graydon - Electric Guitar
Abraham LaBoriel - Electric Bass
Idris Muhammad - Drums
Bill Summers - Congas, Percussion

Tracks:
A1. Knocks Me Off My Feet {Stevie Wonder} (3:58)
A2. Save Your Love For Me {Buddy Johnson} (5:20)
A3. Blues For Ball {McCoy Tyner} (4:22)
A4. Dance Of The Honey Bee And The Funky Fly {William Fischer} (6:17)
B1. Concrete Jungle {Bob Marley} (7:25)
B2. Sun Seeds {David Newman} (5:17)
B3. Distant Lover {Fuqua, Gaye, Greene} (7:25)

Total Time: 40:04

Credits:
Producer - Orrin Keepnews, William Fischer
Arranger, Conductor - William Fischer
Engineer [Basic Recording], Remix - Eddie Bill Harris
Engineer [Assistant] - Wally Buck
Engineer [Additional Recording-Strings] - Vince McGarry
Mastering Engineer - John Golden
Art Direction - Phil Carroll
Cover Art - Dennis Gassner, Roberto Morrison
Photography - Phil Bray

Note:
See Track [Personnel].txt for more player details.

Melvin Sparks - Spark Plug (1971)

Spark Plug is the 2nd album by Melvin Sparks recorded for Prestige in 1971

Massive funkiness! This album ranks as one of the best from the early 70's period at Prestige, and it features a crack group of young heavy hitters like Sparks on guitar, Leon Spencer on organ, Grover Washington on tenor, and Idris Muhammad on drums – all wailing, just wailing, away on long funky tracks with solos that go waaaaay over the top! There's a full, extended brilliance here that has to be heard to be believed – an intensity of jazz funk energy that few groups or scenes in later years ever matched. Tracks include the wild "Conjunction Mars", "Spark Plug", and a funky cover of "Who's Gonna Take The Weight". © Dusty Groove, Inc.

Prestige Records, PR 10016, 1971
Recorded 1st (#A1) & 8th (#A2-B3) March, 1971
At Van Gelder Studio, Englewood Cliffs, New Jersey

Musicians:
Melvin Sparks - Guitar
Virgil Jones - Trumpet
Grover Washington Jr. - Tenor Saxophone
Leon Spencer Jr. - Organ (#A1)
Reggie Roberts - Organ (#A2-B3)
Idris Muhammad - Drums

Tracks:
A1. Who's Gonna Take The Weight? {Kool & The Gang} (9:22)
A2. Spark Plug {Melvin Sparks} (8:49)
B1. Conjunction Mars {Melvin Sparks} (8:12)
B2. Alone Together {Howard Dietz, Arthur Schwartz} (4:17)
B3. Dig Dis {Melvin Sparks} (6:48)

Total Time: 37:28

Credits:
Producer - Bob Porter
Engineer - Rudy van Gelder
Artwork [Cover] - Tony Lane
Liner Notes - Tom Curry

Kool & The Gang [Members]
Gene Redd, George Brown, Richard Westfield, Robert Mickens, Dennis Thomas, Woodrow Sparrow, Robert "Kool" Bell, Ronald Bell]

Friday, April 10, 2020

Archie Shepp - Black Gipsy (1969)

Black Gipsy is an interesting album, not just because it's one of the very few dates where Archie Shepp plays soprano exclusively, but because the album also features a harmonica player, Leroy Jenkins on viola, and a vocalist named Chicago Beauchamp (aka Chicago Beau), who also performed with the Art Ensemble of Chicago and Jimmy Dawkins. This is in addition to Clifford Thornton, Noah Howard, Sunny Murray, and the great Dave Burrell on piano. On "Black Gipsy," after an intro by Jenkins, Murray and bassist Earl Freeman set up a powerful martial groove, pushed by Burrell's lowend piano work. The horns and harmonica use this as a launching point, while Chicago Beauchamp sporadically spouts his street poetry. "Epitaph of a Small Winner" is something of a travelogue suite, starting in Rio de Janeiro with a light, upbeat melody. Casablanca is next, where the proceedings become a bit mellower and mysterious, then it's on to a near bluesy romp for the last stop in Chicago. This music gets intense, but melody is always at its core: this is not just a free blowing session. The rhythm section keeps things well grounded, aided greatly by Burrell's marvelous comping while the horns and harmonica take the melodies and run with them. Good stuff. ~ Extract by Sean Westergaard, AMG.

America Records, 30 AM 6099, 1970
Prestige Records, PRST 10034, 1972
Recorded 9th November, 1969 At Decca Studios, Paris, France

Personnel:
Archie Shepp - Soprano Saxophone
Clifford Thornton - Trumpet
Noah Howard - Alto Saxophone
Julio Finn - Harmonica
Dave Burrell - Piano
Leroy Jenkins - Viola
Earl Freeman - Double Bass
Sonny Murray - Drums
Chicago Beauchamp - Vocals

Tracks:
A. Black Gipsy {Augustus Arnold, Chicago Beauchamp} (25:37)
Epitaph Of A Small Winner {Chicago Beauchamp, Julio Finn} (22:34)
B1. Rio De Janeiro
B2. Casablanca
B3. Chicago

Total Time: 48:11

Credits:
Producer - Pierre Berjot
Photography - Gilbert Moreau
Liner Notes - Chicago Beauchamp, Julio Finn

Thursday, April 9, 2020

Melvin Sparks - Akilah! (1972) [re-rip]

Here's another great LP from the guitarist Melvin Sparks. Akilah! is one of his best from Prestige's classic early 70s! It is his third LP and recorded at Rudy van Gelder’s Studio. Sparks is a genius guitarist, with a great talent. He played with Lou Donaldson and Jack McDuff during the late 60s, but by the 70's, he was making his own way as one of the hottest funk guitarists in jazz. The group presented is an excellent one; and features Idris Muhammad on drums, Virgil Jones on trumpet, Frank Wess on tenor, Sonny Fortune on alto and Leon Spencer on organ. Akilah is an album that features more musicians than the usual soul jazz quintet format. Included on the album are guests Ernie Royal on Trumpet, Dave Hubbard on tenor and flute, Hubert Laws on flute, and George Coleman on tenor. Melvin's guitar work is proficient and rewarding. All compositions are by Melvin Sparks except “Love The Life You Live” [Kool & The Gang] and “The Image Of Love” [Leon Spencer]. Orchestrations are arranged by Billy Ver Plank on two tracks. Some highlights include "Love The Life You Live", "Akilah", and "All Wrapped Up". Enjoy!

Prestige Records, PRST 10039, 1972
Beat Goes Public, BGPD 1066, 1993
Recorded 14th & 21st February, 1971 at Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:
Melvin Sparks - Guitar
Virgil Jones - Trumpet (#A1,A2,B1)
Ernie Royal - Trumpet (#B1)
Sonny Fortune - Alto Saxophone (A1,A2,B1,B2)
George Coleman - Alto Saxophone (#B1)
Frank Wess - Tenor Saxophone (#A1,A2,B1)
Dave Hubbard - Tenor Saxophone (#A3), Flute (#B3)
Hubert Laws - Flute (#B3)
Leon Spencer - Organ, Piano
Idris Muhammad - Drums
Buddy Caldwell - Percussion

Tracks:
A1. Love The Life You Live {Gene Redd, Kool & The Gang} (5:35)
A2. On The Up {Melvin Sparks} (5:56)
A3. All Wrapped Up {Melvin Sparks} (4:42)
B1. Akilah {Melvin Sparks} (4:39)
B2. Blues For J.B. {Melvin Sparks} (7:04)
B3. The Image Of Love {Leon Spencer} (6:51)

Credits:
Supervision - Ozzie Cadena
Recording Engineer - Rudy van Gelder
Orchestrations - Billy Ver Planck (#A1,A2)
Art Direction, Photography - Tony Lane