Friday, April 29, 2016

Ornette Coleman - The Best Of Ornette Coleman (1970) [vinyl>flac]

A great compilation of various quartets led by Ornette Coleman from 1959-1960. Even though this LP is a random selection taken from Coleman’s classic Atlantic albums, the sound of the LP is outstanding, Enjoy!

Atlantic Records, SD 1558, 1970

Personnel:

#A1,B1
Ornette Coleman - Alto Saxophone
Donald Cherry - Pocket Trumpet
Charlie Haden - Bass
Billy Higgins - Drums

#A2,A3
Ornette Coleman - Alto Saxophone
Donald Cherry - Pocket Trumpet
Charlie Haden - Bass
Ed Blackwell - Drums


#A4
Ornette Coleman - Alto Saxophone
Donald Cherry - Cornet
Charlie Haden - Bass
Billy Higgins - Drums

#B2
Ornette Coleman - Alto Saxophone
Donald Cherry - Pocket Trumpet
Scott LaFaro - Bass
Ed Blackwell - Drums

Track Listing:

A1. Una Muy Bonita {Ornette Coleman} (5:58)
Recorded 10th October, 1959 at Radio Recorders Studio, Hollywood, California
Recording Engineer - Bones Howe
From Atlantic LP 1327

A2. Embraceable You {George & Ira Gershwin} (4:52)
Recorded 26th July, 1960 at Atlantic Recording Studios, New York
Recording Engineer - Tom Dowd
From Atlantic LP 1353

A3. Blues Connotation {Ornette Coleman} (5:16)
Recorded 19th July, 1960 at Atlantic Recording Studios, New York
Recording Engineer - Tom Dowd, Phil Iehle
From Atlantic LP 1353

A4. Lonely Woman {Ornette Coleman} (4:58)
Recorded 10th October, 1959 at Radio Recorders Studio, Hollywood, California
Recording Engineer - Bones Howe
From Atlantic LP 1317

B1. Ramblin' {Ornette Coleman} (6:35)
Recorded 9th October, 1959 at Radio Recorders Studio, Hollywood, California
Recording Engineer - Bones Howe
From Atlantic LP 1327

B2. C & D {Ornette Coleman} (13:11)
Recorded 26th July, 1960 at Atlantic Recording Studios, New York
Recording Engineer - Tom Dowd
From Atlantic LP 1378

Credits:
Producer - Nesuhi Ertegun
Cover Photo - Lee Friedlander
Cover Design - Loring Eutemey
Liner Notes - Nat Hentoff

Tuesday, April 26, 2016

Sam Most - Flute Flight (1976) [vinyl>flac]


Review by Chris Sheridan, Jazz Journal, October 1978:
Anyone who believes a flute-led quartet date is a cure for insomnia is certain to be caught napping by the ferocity of Most's attack on the opener. This most neglected of flautists leaps from the stop-time theme into a brisk solo of bristling clarity. And after Lou, Monty and Donald have had a say, Most wastes no time reminding us that the technique of humming along with a solo was pioneered by himself.
It Might As Well Be Spring is a pretty duet for Sam and Lou, while neither Flying Down To Rio nor Sagittarian Samba are ordinary bossas. Bailey's drums rustle trenchantly — indeed, the entire trio is rather more snappy than one might expect on a flute album.
This is a very good record, so, as Xanadu's gaffer is wont to say - enjoy!

01 The Humming Blues 5:31
02 It Might As Well Be Spring 6:35
03 Flying Down To Rio 7:44
04 Sagittarian Samba 6:16
05 Last Night When We Were Young 5:44
06 It Happened In Monterey 3:11
07 Am I Blue 5:55

Sam Most - flute; Lou Levy - piano; Monty Budwig - bass; Donald Bailey - drums
Recorded: December 28 1976
(Xanadu 141)

Sorry - link now in comments!

Wednesday, April 20, 2016

Eric Kloss - Life Force (1967) [vinyl>flac]

Much of this music is unconventional, avant-garde by the standards of anyone reared in the structural tradition of 12-bar blues, 16- and 32-bar pop standards, and infinite variations thereon. Here, other structures and idioms are freely borrowed and explored, and the listener can never be sure what avenue the boys will ramble down next. But experiment, free experiment, has ever been the soul of jazz (as of the Life Force itself, according to its admirers). At 18, Eric Kloss is a worthy representative of both conceptions, and a welcome newcomer to the ranks of those select pros who can usually be counted on for something fresh and exciting in almost any vein they choose. ~ Extract from Liner Notes by Ralph Berton.

Prestige Records, PRST 7535, 1968
Recorded 18th September, 1967

Musicians:
Eric Kloss - Alto Sax (#A2,B1,B3), Tenor Sax (#A1,A3,B2)
Jimmy Owens - Trumpet, Flugelhorn (except #B1)
Pat Martino - Guitar
Ben Tucker - Bass
Alan Dawson - Drums

Tracks:
A1. Soul Daddy {Charles Austin} (3:55)
A2. You're Turning My Dreams Around {Eric Kloss} (4:54)
A3. Life Force {Eric Kloss} (11:23)
B1. Nocturno {Bud Shank} (6:37)
B2. St. Thomas {Sonny Rollins} (5:23)
B3. My Heart Is In The Highlands {Eric Kloss} (8:28)

Credits:
Producer - Don Schlitten
Recording Engineer - Richard Alderson
Design - Don Schlitten
Artwork - Irving Riggs
Liner Notes - Ralph Berton (Jan. 1968)

Monday, April 11, 2016

Ornette Coleman - Twins (1959-1961) [vinyl>flac]

Ornette Coleman's Twins has been looked at as an afterthought in many respects. A collection of sessions from 1959, 1960, and 1961 with different bands, they are allegedly takes from vinyl LP sessions commercially limited at that time to 40 minutes on vinyl, and not initially released until many years later. Connoisseurs consider this one of his better recordings in that it offers an overview of what Coleman was thinking in those pivotal years of the free bop movement rather than the concentrated efforts of The Art of the Improvisers, Change of the Century, The Shape of Jazz to Come, This Is Our Music, and of course the pivotal Free Jazz. There are three most definitive selections that define Coleman's sound and concept. "Monk & the Nun" is angular like Thelonious Monk, soulful as spiritualism, and golden with the rhythm team of bassist Charlie Haden and drummer Billy Higgins driving the sweet and sour alto sax of Coleman and piquant trumpeting of Don Cherry. "Check Up" is a wild roller coaster ride, mixing meters, tempos, and dynamics in a blender in an unforgettable display of sheer virtuosity, and featuring bassist Scott LaFaro. "Joy of a Toy" displays the playful Ornette Coleman in interval leaps, complicated bungee jumps, in many ways whimsical but not undecipherable. It is one of the most intriguing of all of Coleman's compositions. Less essential, "First Take" showcases his double quartet in a churning composition left off the original release This Is Our Music, loaded with interplay as a showcase for a precocious young trumpeter named Freddie Hubbard, the ribald bass clarinet of Eric Dolphy, and the first appearance with Coleman's groups for New Orleans drummer Ed Blackwell. "Little Symphony" has a great written line with room for solos in a joyful hard bop center with the quartet of Coleman, Cherry, Haden, and Blackwell. All in all an excellent outing for Coleman from a hodgepodge of recordings that gives a broader view of his vision and the music that would come later in the '60s. ~ by Michael G. Nastos, AMG.

Atlantic Records, SD 1588, 1971
"First Take" 21st December, 1960 at A&R Studios, New York City
"Little Symphony" 19th July, 1960, at Atlantic Recording Studios, New York City
"Monk And The Nun" 22nd May, 1959, at Radio Recorders, Hollywood, California
"Check Up" 31st January, 1961, at Atlantic Recording Studios, New York City
"Joy Of A Toy" 26th July, 1960, at Atlantic Recording Studios, New York City

Personnel:
Ornette Coleman - Alto Saxophone (#A1-B3)
Don Cherry - Pocket Trumpet (#A1,B2), Cornet (#B1), Trumpet (#A2,B3)
Freddie Hubbard - Trumpet (#A1)
Eric Dolphy - Bass Clarinet (#A1)
Scott LaFaro - Bass (#A1,B2)
Charlie Haden - Bass (#A1-B1,B3)
Ed Blackwell - Drums (#A1,A2,B2,B3)
Billy Higgins - Drums (#A1,B1)

Track Listing:
A1. First Take (16:56)
A2. Little Symphony (5:13)
B1. Monk And The Nun (5:52)
B2. Check Up (10:07)
B3. Joy Of A Toy (4:55)

Credits:
Producer - Nesuhi Ertegun
Recording Engineer - Tom Dowd (#A1,A2,B2,B3), Phil Iehle (#A2), Bones Howe (#B1)
Mastering Engineer - George Piros
Mixing [Re-Mix Engineer] - Geoffrey Haslam
Cover Design - Haig Adishian
Cover Photo - Omar Kharem
Liner Notes - Martin Williams

Sunday, April 3, 2016

Eric Kloss - We're Goin' Up (1968) [re-rip]

We're Goin' Up’ is the sixth album by saxophonist Eric Kloss which was recorded in 1968 and released on the Prestige label. ~ Wiki

The album finds the 18 year old Kloss in serious company with Jimmy Owens on trumpet, Kenny Barron on piano, Bob Cranshaw on bass and the great Alan Dawson on drums. The music is stunning post-bop. ~ KingCake

Personally, I just love this LP. Eric playing is brilliant and as KC said clearly supported by equally marvellous players. Enjoy!

Prestige Records, PR 7565, 1968?
Recorded 22nd December, 1967, New York City [Taken from Jazzdisco Discography]

Musicians:
Eric Kloss - Alto Saxophone
Jimmy Owens - Trumpet & Flugelhorn
Kenny Barron - Piano
Bob Cranshaw - Bass
Alan Dawson - Drums

Tracks:
1. Get The Money Bluze (2:28)
2. I Long To Belong To You (6:33)
3. Gentle Is My Lover (7:35)
4. We're Goin' Up (5:24)
5. Of Wine And You (5:53)
6. Blues Up Tight (5:48)

All Compositions by Eric Kloss

Credits:
Producer - Don Schlitten
Recording Engineer - Richard Alderson
Cover Design/Art - Irving Riggs

Saturday, March 26, 2016

Don Ewell

I just can't say enough about this album - a real gem.  Ewell is a name often attached to "Dixieland" via his work with the Dukes.  We also associate "Stride" with him because of his incredible style.

The fact is, those are both horrendous cliches which do nothing to really describe Don Ewell.  This self titled release for Chiaroscuro shows us that you simply can't put this pianist in a box.  For the sake of giving you something to relate him with, I would go with Traditional / NOLA jazz.

The music is bluesy, hard swingin and always joyous no matter the tempo or tune. This album is perfect, all the way through.  You won't find any filler or musical misgivings here, instead, we are given sides which display the best jazz has to offer.

Side 1 is a trio with Hall & Leeman, while side 2 is a quartet with Tate, Duvivier & Leeman.  The sidemen bring their A-game to these tunes, and are given plenty of room to shine.  Ewell himself gives us every reason to believe he is one of the more underrated pianists of his time.  It would be easy to overlook this album from it's unexciting cover, to it's 70's publishing date... but that would be a large mistake.  From start to finish this record delivers on all fronts and leaves you feeling upbeat.

I ripped this minty vinyl at 24/48 wav and transferred it to 24/48 FLAC for your convenience.  Superb stereo recording... enjoy!!!

______________________________________________

Chiaroscuro Records ‎– CR 130
1974

A1 Sweethearts On Parade
A2 Creole Love Call
A3 Diane
A4 Apex Blues
A5 All By Myself
B1 Coquette
B2 It Must Be True
B3 Let´s Fall In Love
B4 I Cover The Waterfront

Bass – George Duvivier (tracks: B1 to B4)
Clarinet – Herb Hall (tracks: A1 to A5)
Drums – Cliff Leeman
Piano – Don Ewell
Tenor Saxophone – Buddy Tate (tracks: B1 to B4)

Monday, March 21, 2016

Ted Curson - In Paris - Live At The Sunside (2006)

Great live material from Ted Curson - a Parisian performance that features Ted with a range of different artists, really opening up in ways that show the full range of his tremendous talents! Paris always seems to bring out the best in Curson (we consider ourselves fortunate to have caught him there live years back, sharing a stage with Rufus Harley) – and this set shows Ted really taking full advantage of the opportunities the scene offers him. Some cuts are straight small combo jazz – with Ted's trumpet burning it up over backing from the trio of pianist Alain Jean-Marie. Other numbers add in a bit of backup vocals, behind Curson's own bluesy lead. And still others feature added alto, flute, and percussion – making for a further level of expression that we don't usually hear on an album from Ted. Curson's vocal performances are peppered throughout the double-length set – and almost seem to be more crowd pleasing moments, where he might be expected to warble a standard for the overseas audience – but they do have a sort of charm, given the raspy style of singing – and one number, a hip take on "Summertime", is actually a funky groover that really makes happy that Ted decided to sing along (he gets some help on that number from soulful Sylvia Howard, too!) Titles include "Reava's Waltz", "Tears For Dolphy", "Caravan", "Dig", "Round Midnight", "Milestones", "Confirmation", "Cantaloupe Island", and "Pilma Boogie". © Dusty Groove, Inc.

Blue Marge, 1009, 2007
Recorded 30th & 31st August, 2006 Live at Sunside in Paris, France

Personnel:
Ted Curson - Trumpet, Piccolo Trumpet, Flugelhorn, Flute, Vocals
Alain Jean-Marie - Piano
Gilles Naturel - Bass
Philippe Soirat - Drums

Other Players:
Pierrick Pédron - Alto Saxophone [CD1: 1,3,5,7,8 & CD2: 1,3,5,7,8,9]
Guillaume Naturel - Flute [CD1: 2 & CD2: 3
Julie Saury - Percussion [CD1: 1,7 & CD2 3,6]

Voice Solos:
Daiva Starinsakite [CD1: 4]
Evrim Özsuca [CD2: 4,6,7]
Ferhat Öz [CD1: 4,6 & CD2: 2,6,7]
Jaanika Ventsel [CD1: 2,6 & CD2: 6]
Silvia Howard [CD2: 9]

Track Listing:

CD1:
1. Caravan {Juan Tizol, Duke Ellington, Irving Mills} (8:43)
2. Tears For Dolphy {Ted Curson} (8:12)
3. Dig {Miles Davis} (9:06)
4. 'Round About Midnight {Thelonious Monk} (8:54)
5. Woody 'N' You {Dizzy Gillespie} (11:33)
6. Georgia On My Mind {Hoagy Carmichael} (6:56)
7. Cantaloupe Island {Herbie Hancock} (8:06)
8. Plima Boogie {Ted Curson} (4:18)

Time: 1:05:48

CD2:
1. Reava's Waltz {Ted Curson} (7:27)
2. Blueberry Hill {Fats Domino} (5:45)
3. Tin Tin Deo {Dizzy Gillespie} (13:28)
4. Lover Man {Jimmy Davis, Ram Ramirez, James Sherman} (6:28)
5. Milestones {Miles Davis} (7:12)
6. Summertime {George Gershwin, DuBose Heyward} (6:35)
7. Cherokee {Ray Noble} (10:21)
8. Confirmation {Charlie Parker} (7:01)
9. Blues Medley {Various} (9:06)

Time: 1:13:23

Credits:
Producer - Gérard Terronès
Coordinator - Marianne Fernel
Recording, Mixing, Editing, Mastering - Alain Gandolfi
Design, Graphics - Fasm
Photography - Jacquie Dauvilliers-Morat
Liner Notes, Translation - Jean Szlamowicz

This two CD set contains over two hours of wonderfully entertaining jazz from the indefatigable Curson, 71 years old when recorded live in August of 2006. The fiery trumpeter whose early career associations included Cecil Taylor, Charles Mingus and Eric Dolphy, and then later established a notable presence on the European jazz scene, introduces us to some very talented but lesser known overseas musicians.

Pierrick Pédron is a formidable bebop altoist out of the Cannonball Adderley school, with a tone sometimes approaching the rawness of Vincent Herring. He plays with endless drive, polished technique and great clarity. Pianist Alain Jean-Marie has an absorbing, sophisticated style resembling that of Barry Harris. Bassist Gilles Naturel and drummer Philippe Soirat prove to be solid and tasteful in support, and Naturel’s lucid solos are quite effective. His brother Guillaume exhibits a pure, warm tone and nimble fingering on flute. Julie Saury, daughter of clarinetist Maxim, contributes engaging solos on congas and bongos. Sylvia Howard sings her heart out alongside Curson in a “Blues Medley.” That leaves the vocal choir, Ferhat Öz, Evrim Özsuca, Daiva Starinskaite and Jaanika Ventsel, four young singers that Curson discovered during a singing competition at the Nõmme Jazz Festival in Estonia. They all sing with great feeling, verve and individuality.

Curson himself plays with much spirit and creativity, and also sings up a storm in a blues-drenched, ingratiating voice. The program ranges from Curson’s own “Tears for Dolphy” and “Reava’s Waltz,” to many jazz classics and standards such as “Caravan,” “Dig,” “’Round About Midnight,” “Woody ’n’ You,” “Tin Tin Deo,” “Milestones,” “Cherokee,” “Confirmation,” “Georgia On My Mind,” “Lover Man” and even “Blueberry Hill.” Referring to Mingus, Curson is quoted as saying, “The older I get, the more I begin to look like my master and even act like him.” Mingus would certainly have appreciated this ambitious project, and the gusto and humor with which it’s delivered. ~ by Scott Albin, JazzTimes.

Saturday, March 19, 2016

Ted Curson - Sugar 'N Spice (1999)

Ted Curson's incandescent flame burns bright in this impassioned salute to bebop, the music that inspired the trumpeter to want to play jazz. The underrated Curson, it should be pointed out, is one of modern jazz's true innovators. In the late 1950s, he was a key participant in the seminal probes of avantgardist Cecil Taylor. A year later, he and Eric Dolphy helped ignite Charlie Mingus' tempestuous upheavals. In the mid-1970s, he led one of the era's great small groups, a bop-based sextet at once open-ended and disciplined.

Here, in a congenial setting with pianist Michael Cochrane, guitarist Lenny Argese, bassist Calvin Hill, and drummer Bruce Cox, the trumpeter flies with a brio reminiscent of Clifford Brown. Also impressive is Curson's "voice." Even in his more abstract work, Tears for Dolphy (1964), for instance, the trumpeter has displayed a brassy yet warmly centered sound. It's a sonic signature that continues to serve him well. Mixing standards like "Georgia" with originals such as the exuberant title track, Curson declaims with a heart that "sings." ~ by Chuck Berg, Jazztimes.

Level Green, 22008, 1999
Recorded, Mixed and Mastered 11th April, 1999 at BIOYA Recording Studios, Paterson, New Jersey

Personnel:
Ted Curson - Trumpet
Michael Cochrane - Piano
Lenny Argese - Guitar
Calvin Hill - Bass
Bruce Cox - Drums

Track Listing:
01. Playhouse March {Ted Curson} (6:16)
02. Jordu {Irving "Duke" Jordon} (6:26)
03. Marjo {Ted Curson} (5:39)
04. Summertime {Dubose Heyward, George Gershwin} (5:59)
05. Sugar 'N Spice {Ted Curson} (5:50)
06. All The Things You Are {Oscar Hammerstein II, Jerome Kern} (8:53)
07. Tin Tin Deo {Chano Pozo} (8:09)
08. Georgia {Hoagy Carmichael, Stuart Gorrell} (7:42)
09. Dig {Miles Davis} (7:49)
10. Milestones {Miles Davis} (5:34)

Credits:
Producer - Lenny Argese
Executive Producer - James Spitznagel
Recording, Mixing and Mastering - Lenny Argese
Photography - James Spitznagel
Design - Iron Design
Liner Comments - Ted Curson

Sunday, March 13, 2016

Don Patterson - Why Not... (1978) [vinyl>flac]

Later work from Don Patterson -- but a record that still shows him in fine fine form! The tunes are all long and spacious -- no gimmicks, just straight ahead soul jazz, in that beautiful back-to-basics mode that Muse was using with Charles Earland around the same time. The group's a quintet -- bigger than usual for Patterson -- with Don on the Hammond, plus Bootsie Barnes on tenor, Eddie McFadden on guitar, Virgil Jones on trumpet, and Idris Muhammad on drums. Titles include "Aries", "Why Not", "Three Miles Out", and "Freddie Tooks Jr". © Dusty Groove America, Inc.

Don was born in Columbus, Ohio, July 22, 1936. He’s now living in Philadelphia, a city that is a mecca for artists, as well as a stronghold for organist Jimmy Smith, Jimmy McGriff, Trudy Pitts, just to name a few. “Fats” Waller in the late 1930's was one of the first to use the organ as a jazz instrument. This is the fourth Don Patterson album on Muse Records. Don Patterson is not only a master organist, but also a talented compose. There are three of his originals on this album. He uses the melodic, harmonic and rhythmic lines in their proper colors. Tonal colors are important when playing or mastering the organ. ~ rappamelo.com.

Don Patterson is among my top five favourite organists. Never heard a bad recording of his. I always found him the closest to Horace Silver of all organists, especially as a composer. I think he inspired Sonny Stitt to some of his best playing. I like all the Muse sessions. The fourth Muse "Why Not" is nice, I always have a cassette of it in the car, with a nice Horace Silver vibe in the heads. ~ Mike Weil.

Don is the MAN! Another giant we lost too soon. He's really not on enough recordings, either. Have you got the Muse dates? Those are killer! ~ Jim Alfredson.

Muse Records, MR 5148, 1978
Recorded 26th January, 1978 at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey

Personnel:
Don Patterson - Organ
Bootsi Barnes - Tenor Saxophone
Virgil Jones - Trumpet
Eddie McFadden - Guitar
Idris Muhammad - Drums

Track Listing:
A1. Why Not {Houston Person} (11:39)
A2. Aries {Don Patterson} (8:12)
B1. Dem New York Dues {Don Patterson} (8:02)
B2. Three Miles Out {Bootsi Barnes} (5:23)
B3. Freddie Tooks Jr. {Don Patterson} (6:36)

Credits:
Producer - Houston Person
Recording Engineer - Rudy van Gelder
Art Direction and Cover Photo - Hal Wilson
Liner Notes - Samir Ali Sadiq, WRTI FM, Philadelphia, PA

Tuesday, March 8, 2016

Gabor Szabo - Rambler (1973) [vinyl>flac]

Although this LP is a CTI production, guitarist Gabor Szabo is well featured in a conventional quartet (without strings, horns or "sweetening") that also includes the electric piano of Mike Wofford, bassist Wolfgang Melz and drummer Bobby Morin; Bob James sits in on some cuts on keyboards. For what would be Szabo's last significant recording, the Hungarian guitarist performs an obscurity and five of bassist Melz's originals, including "Rambler," "It's So Hard to Say Goodbye" and "Reinhardt." Although the individual melodies are not that memorable (none caught on), Gabor Szabo's distinctive sound and logical improvisations make this an album worth searching for. ~ by Scott Yanow, AMG.

CTI Records, CTI 6035, 1974
Recorded September, 1973 at Van Gelder Studios, Englewood Cliffs, New Jersey

Personnel:
Gabor Szabo - Guitar
Bob James - Piano, Organ, Synthesizer
Mike Wofford - Electric Piano
Wolfgang Melz - Bass
Bobby Morin - Drums
Unknown - Percussion

Tracks:
A1. Rambler {Wolfgang Melz} (5:25)
A2. So Hard To Say Goodbye {Wolfgang Melz} (4:42)
A3. New Love {Wolfgang Melz} (5:19)
B1. Reinhardt {Wolfgang Melz} (6:55)
B2. Help Me Build A Lifetime {Wolfgang Melz} (4:25)
A3. All Is Well {Robert Lam} (6:21)

Credits:
Producer - Creed Taylor
Recording Engineer - Rudy van Gelder
Musical Supervision - Bob James
Cover Photograph - Pete Turner
Liner Photograph - Charles Stewart
Album Design - Bob Ciano

Thursday, February 25, 2016

Dom Um Romão - Spirit Of The Times (1975) [vinyl>re-rip,true flac]

For Spirit of the Times Romao contributes two more stunning percussion monologues, “Ginga Gingou” and “Cosinha.” As he states in Robert Palmer's expertly-penned liners, the street music of Brazil as practiced by the samba schools (not schools per se, but groups of percussionists) is really reflective of the African influence on the blacks of Brazil. Short of making your own field recordings during carnival time in Rio, Romao's recreations celebrate a festive spirit that's the next best thing. There's a more organic feel throughout to these selections too, although electronic elements, such as Joe Beck's wah-wah guitar, fit tastefully into the mix. Acting as a worthy microcosm of Brazilian fusion from the '70s, these recordings should serve the uninitiated well in that they're meaty but undeniably tuneful and enticing. Following on the heels of a recent renaissance in Brazilian music, particularly overseas and in Japan, Romao's Muse recordings have aged well and will be sure to please those individuals with a taste for the exotic and an open mind. ~ Chris Hovan, http://www.allaboutjazz.com.

Wicked Brazil album with the fusion tracks 'Wait On The Corner', 'The Angels' & 'Kitchen'. ~ http://www.rushhour.nl

An incredible set of Brazilian jazz - one of the few albums that percussionist Dom Um Romao recorded as a leader, and sublime all the way through! The record's got a wonderful blend of funky fusion and Brazilian percussion - and features a group from two continents that includes Sivuca on organ, Dom Salvador on electric piano, Joe Beck on guitar, Jerry Dodgion on alto sax, Lloyd McNeill on flute, and Mauricio Smith on tenor, soprano, and flute. Includes the percussion jammer "Shake (Ginga Gingou)", the modal groover "Wait on the Corner", and the lively scatting tune "The Angels" – but the whole album's great, and other tracks include "The Salvation Army", "Kitchen", and "Lamento Negro". © Dusty Groove, Inc.

Muse Records, MR 5049, 1975
Recorded 6th June & 21st November, 1973

Musicians:
Dom Um Romão - Drums, Percussion
Dom Salvador - Piano, Electric Piano
Joe Beck - Electric Guitar
Lloyd McNeill - Flute
Sivuca - Organ, Piano, Guitar
Amauri Tristao - Acoustic Guitar
Jerry Dodgion - Alto Saxophone, Flute
Mauricio Smith - Tenor & Soprano Saxophones, Flute
Frank Tusa - Bass
Portinho - Percussion

Track Listing:
A1. Shakin' [Ginga Gingou] {Dom Um Romão} (3:01)
A2. Wait On The Corner {Humberto Teixeira, Sivuca} (6:18)
A3. Lamento Negro {Dom Um Romão} (3:59)
B1. Highway {Amauri Tristao} (4:25)
B2. The Angels {Dom Salvador} (4:03)
B3. The Salvation Army {Dom Salvador} (4:05)
B4. Kitchen [Cosinha] {Dom Um Romão} (2:48)

Credits:
Producer - Dom Um Romão, Joe Fields
Recording Engineer - Michael Delugg
Album Design - Ron Warwell
Liner Notes - Bob Palmer

Wednesday, February 24, 2016

Dom Um Romão - Dom Um Romão (1973) [vinyl>re-rip,true flac]

An unbelievably fantastic album, and perhaps the greatest one that Dom Um Romão ever did. Dom recorded this one in America with a blend of Brazilian and New York musicians - creating an incredible sound that's unlike anything else one can think of. Includes the spare spacey groover "Dom's Tune", the lively dancer "Cinnamon Flower", the jazzy "Family Talk", a great version of "Ponteio", and a take on Sivuca's "Adeus Maria Fulô" with João Donato on electric harpsichord. ~ @ Dusty Groove Inc..

This LP was probably one of my first introductions to Brazilian music when I bought it in the early 80s after hearing Braun Blek Blu - it completely blew me away. I couldn't believe this could be the work of just one man, his drum kit, a cow bell and vocals!!! And what an LP to get-a storming version of Ponteio and each track a killer in its own right. But of course - it also features the great João Donato! Orgyinrhythm

Muse Records, MR 5013, 1974
Recorded 6th June & 21st November, 1973

Musicians:
Dom Um Romão - Drums, Percussion
Dom Salvador - Electric Piano, Piano
Lloyd McNeil - Flute
Joe Beck - Electric Guitar
João Donato - Harpsichord, Piano
Sivuca - Organ, Piano, Guitar
Amauri Tristao - Acoustic Guitar
Jerry Dodgion - Alto Saxophone, Flute
Mauricio Smith - Tenor & Soprano Saxophones, Flute
Richard Kimball - Synthesizer
Jimmy Bossey - Trombone
William Campbell, Jr. - Trumpet
Frank Tusa - Bass
Stanley Clarke - Bass
Eric Gravatt - Congas
Portintio - Percussion

Track Listing:
A1. Dom's Tune {Dom Um Romão} (8:43)
A2. Cinnamon Flower [Cravo E Canela] {Milton Nascimento} (4:53)
A3. Family Talk {Dom Um Romão} (5:42)
B1. Ponteio {Edu Lobo, Ruy Guerra} (6:07)
B2. Braun-Blek-Blu {Dom Um Romão} (4:40)
B3. Adeus Maria Fulô {Sivuca, Humberto Teixeira} (8:03)

Credits:
Producer - Dom Um Romão, Joe Fields
Recording Engineer - Michael DeLugg
Liner Notes - Gary Giddins

Wednesday, February 17, 2016

Frank Wess - Flute Of The Loom (1973) [vinyl>flac]

This is the second of Frank Wess’ two Enterprise albums. Here, Wess contributes more tunes of his own and Chico O’Farrill, Jimmy Roach and Rudy Robinson are credited for various arrangements. The album is more orchestral than his previous "Wess To Memphis". However, these additions which permeate the record, are never too obtrusive, and regardless Wess displays his skills as a fine musician throughout. Irrespective of the album’s title, Wess uses sax on three numbers, his own “Arundelle,” “Flowers” and the standard, “When I Fall In Love.” None of the supporting musicians are accredited but on “Trezia” and “Arundelle” a nice guitar solo is heard and a vibes solo is heard on “Wade in the Water.” The highlights here include “Get on Board [The Train Is Coming],” the funky “Wade in the Water” and “I Know What’s On Your Mind,” all backed by expert string and horn work. Many jazz aficionados have criticised this album but more more kudos should be accoladed on Wess' great playing, which is clearly indicated here. Also there are too few albums, as a leader, are available by Wess, so the listener must be content with what is obtainable by this virtuoso player, Enjoy!

Enterprise Records, ENS-5006, 1973
Rhythm Recorded at Muscle Shoals Sound Studios, Sheffield, Alabama;
Media Sounds Studio, New York, New York

Track Listing
A1. Get On Board [The Train Is Coming] {Don Davis, J. Wilson, R. Eaton} (4:13)
A2. Red Roses {Robert Stone, Vernon Bullock} (3:10)
A3. Trezia {Frank Wess} (3:59)
A4. Arundelle {Frank Wess} (5:23)
A5. When I Fall In Love {Victor Young, Edward Heyman} (5:12)
B1. Wade In The Water {Traditional, Arr. Don Davis} (3:31)
B2. You Are Everything {Thom Bell, Linda Creed} (2:24)
B3. Flowers {Frank Wess} (4:57)
B4. I Know What's On Your Mind {Frank Wess} (4:09)
B5. [Sittin' On] The Dock Of The Bay {Otis Redding, Steve Cropper} (5:37)

Credits:
Producer - Don Davis, Rudy Robinson
Arranger - Chico O'Farrill, Jimmy Roach, Rudy Robinson
Engineer - Jerry Estes, Lou Casella
Creative Direction, Design - Stax Records
Cover Illustration - Ellis Chappell

Sunday, February 14, 2016

Piano Trios HIJK

The third of this series includes tracks by Hampton Hawes, Harold Mabern, Hank Jones, Herbie Nichols, Horace Silver and more...(yeah that other Herbie too!)