Gino Paoli, Enrico Rava, Flavio Boltro, Danilo Rea, Rosario Bonaccorso, Roberto Gatto - Milestones (2007)

There are formulas in music that are closer to the world of magic than to that of chemistry. Alchemies that simply happen. The songs of Gino Paoli. always unique. An author who has written some of the most beautiful pages of the Italian song. And then, jazz, Paoli's old love that returns to the fore thanks to this record. Thus, was born "Milestones - a meeting in jazz", an album made out to this "supergroup" which includes in addition to Gino Paoli himself, some of the greatest Italian jazz players. And the names speak for themselves: Enrico Rava, perhaps the most internationally appreciated Italian musician, gifted with a unique lyricism and creativity. Flavio Boltro (in 3 songs), also on the trumpet, “fierier” than Rava, and gifted with an exceptional technique. Danilo Rea, incredible pianist, creative engine in superlative arrangements and solos. Rosario Bonaccorso, double bass player who has collaborated with countless groups, not least Enrico Rava's quintet together with Roberto Gatto, the “perfect” drummer, the one that every musician would like to have in his group. And therefore, the music; a “live” event in which some of the most famous pieces by Paoli are stripped and covered with different and very precious fabrics. It goes from a "walking" and super swinging "La Gatta" to a touching and dramatic "Sassi", from "Senza Fine" (now a jazz standard) which is the perfect song, even more in this version, to the wonderful "Una Long Love Story". In addition to Paoli's songs, 3 jazz classics are also presented which, interpreted by the Genoese singer-songwriter, become little pearls. These are "Time after time", "I fall in love too easily" and "Stardust", the latter in a beautiful version performed by two pianos, and then by Danilo Rea, together with a historical pianist of Italian jazz: Renato Sellani, a truly exceptional special guest. A jazz meeting then, but also the "milestones" of the great Italian music, jazz and song, together for a unique event recorded for the historic Blue Note. ~ Angela Platania, Guide.Supereva.it. [Translated from Italian]

Blue Note, BN 394362, 2007
Recorded 7th-8th March, 2007 At Teatro Sociale di Soresina, Cremona, Italy 

Personnel:
Gino Paoli - Vocals
Enrico Rava - Trumpet
Flavio Boltro - Trumpet
Danilo Rea - Piano
Rosario Bonaccorso - Double Bass
Roberto Gatto - Drums
Renato Sellani - Piano (#8) 

Tracks:
01. Time After Time {Sammy Cahn, Jule Styne} (4:45)
02. Sapore Di Sale {Gino Paoli} (6:18)
03. Vivere Ancora {Gino Paoli} (5:12)
04. I Fall In Love Too Easily {Sammy Cahn, Jule Styne} (5:01)
05. La Gatta {Gino Paoli} (4:41)
06. Che Cosa C'e' {Gino Paoli} (5:10)
07. Una Lunga Storia D'Amore {Gino Paoli} (4:57)
08. Stardust {Hoagy Carmichael, Mitchell Parish} (6:10)
09. Quando {Luigi Tenco} (2:54)
10. Sassi {Gino Paoli} (5:07)
11. Il Cielo In Una Stanza {Gino Paoli} (5:27)
12. Senza Fine {Gino Paoli} (7:18) 

Total Time: 63:00

Credits:
Producer - Aldo Merurio, Bruno Sconocchia
Recording Engineer - Massimo Aluzzi
Assistant Engineer - Federico Federici
Mixing Engineer - Roberto Rosu (Studio Quattrouno, Rome)
Mastering Engineer - Greg Calbi (Sterling Sound, New York)
Technical Manager - Massimo Istroni
Sound Room Engineer - Luca Giannerini
Stage Sound Engineer - David Barbagli
Audio Service for Soresina Concerts - Coriolano Music Service
Art Project - Rosario Bonaccorso, Roberto Gatto, Aldo Merurio, Enrico Rava, Danilo Rea
Design, Photography - Panaro Design Srl 

Italian pop star Gino Paoli meets five Italian jazz stars: Enrico Rava, Danilo Rea, Flavio Boltro, Rosario Bonaccorso, Roberto Gatto. This live event became an album of his greatest hits revisited in jazzy way.

Paolo Fresu - Berchidda [The Italian Years] (1999)

A wonderful compilation of original Paolo Fresu tunes that span his earlier recording years from 1986 through to 1994. He is joined by stalwart buddies: saxophonist Tino Tracanna, pianist Roberto Cipelli and drummer Ettore Fioravanti. This release, titled ‘Berchidda’ is his birthplace in Sardinia, contains two CD’s full of compositions taken from Paolo’s prodigious Splasc (h) albums - The Italian Years. In addition to his main quartet; guest reed players Gianluigi Trovesi and David Liebman are heard across a few tracks. The majority of the chosen tracks are drawn from studio recordings in Milan and Sardinia, with the exception of a couple live tracks from the 1988 Montpellier Jazz Festival. Any Paolo Fresu enthusiast will want to include this release in their respective collections, enjoy!

Iris Musique, 3001 819, 1999
Recorded 1986-1994 at various locations throughout Italy 

Musicians:
Paolo Fresu - Trumpet, Flugelhorn, Electronics
Tino Tracanna - Soprano & Tenor Saxophones
Roberto Cipelli - Piano
Ettore Fioravanti - Drums 

Guests:
Gianluigi Trovesi - Alto Saxophone, Alto & Bass Clarinets, Piccolo Flute
David Liebman - Soprano Saxophone, Flute 

Tracklist: 

CD1:
01. Dungeons & Dragons (7:03)
02. Walkabout (6:37)
03. Né Arte Né Parte (6:22)
04. Transparencia (6:10)
05. Trunca E Peltunta (4:46)
06. Rolling Car (3:30)
07. La Piste Del Sogni (4:43)
08. Appuntamento Sul Treno (4:34)
09. Pour Une Femme (6:15)
10. Blues For You (9:42) 

Time: 59:42 

CD2:
01. Fellini (8:58)
02. In Parte Senz'Arte (6:45)
03. Ossi Di Seppia (8:01)
04. Martino E Pico (3:09)
05. Geremeas - Su Grogghi (5:38)
06. The Open Trio (7:07)
07. H(erman E[esse] (4:41)
08. Fate Fatue (3:26)
09. Opale (5:40)
10. The Trumpet Is A Woman (7:18)
11. Ostinato (3:41) 

Time: 64:24 

All Compositions by Paolo Fresu 

Credits:
Album Conception - Arto Adorno
Liner Notes - Francisco Cruz
English Translation - 3i
Italian Translation - Daniele Baggiani
Photos - Peter Freeman

Paolo Fresu Quartet - Angel (1998)

A native of Sardinia, Paolo Fresu has established himself for several years as one of the great voices on the trumpet since the disappearance of Miles. In a remarkably fluid speech, he incorporates sound elements from various origins, including electronic effects which he uses sparingly. Very active, he has several regular formations, mainly a quintet. But it is with the quartet with which he has been touring for three years that he made this recording. First of all, Nguyên Lê, French guitarist who has managed to achieve a subtle mix of rock sounds and jazz harmonies and makes intelligent use of the synth guitar. And a first-rate Italian rhythm, di Castri being known elsewhere for his superb compositions. The themes, apart from two standards, Angel by Jimi Hendrix and a traditional Italian song, indicative of the personality of the musicians of the group, clearly show that we are dealing here with a real quartet. "Fellini" by Fresu is particularly moving, as we know, one of the finest musical tributes that we have made to the master. "Sueños" (Dreams) by di Castri shows us that the bassist is also a great soloist. It is therefore a very beautiful album which will undoubtedly become a reference. ~ by Alain Le Roux, Chronicart.com. [Translated from French]

BMG/RCA Victor, 74321558642, 1998
Recorded 25th to 29th September 1997 At Esagono Studio, Rubiera, Italy 

Musicians:
Paolo Fresu - Trumpet, Flugelhorn, Electronics
Nguyên Lê - Guitar, Guitar Synthesizer
Furio Di Castri - Acoustic Bass, Electronics
Roberto Gatto - Drums
Ornella Vanoni - Vocals (#6) 

Tracks:
01. Everything Happens To Me {Matt Dennis, Tom Adair} (5:38)
02. Walkabout {Paolo Fresu} (6:31)
03. Fellini {Paolo Fresu} (5:57)
04. Elogio Del Discanto [In Praise Of The Discanto] {Paolo Fresu} (4:01)
05. Saïgon {Furio Di Castri} (7:28)
06. Accarezzame [Caress Me] {Pino Calvi, Nicola Salermo} (3:55)
07. Variazione Cinque [Variation Five] {Paolo Fresu} (2:48)
08. El Saola [The Saola] {Dominique Borker, Nguyên Lê} (4:31)
09. Song One {Dominique Borker, Nguyên Lê} (3:10)
10. Sueños [Dreams] {Furio Di Castri} (8:00)
11. Dove Niente Accade [Where Nothing Happens] {Paolo Fresu} (3:35)
12. Il Gatto E La Volpe [The Cat And The Fox] {Paolo Fresu} (6:07)
13. Real Time {Dominique Borker, Nguyên Lê} (2:22)
14. Angel {Jimi Hendrix} (4:22)
15. I Fall In Love Too Easily {Sammy Cahn, Jule Styne} (3:06) 

Total Time: 71:31

Credits:
Producer - Jean-Jacques Pussiau
Executive-Producer - Daniel Baumgarten
Recording, Mixing - Marti Jane Robertson
Mastering, Editing - Jean-Pierre Chalbos
Engineer [Assistant] - Andrea Rovacchi
Photography - Pino Ninfa
Art Direction, Design - Bernard Amiard
Liner Notes [French] - Daniel Soutif

Conrad Herwig - Sketches Of Spain Y Mas (2006)

Conrad Herwig's nonet explores the Latin side of jazz, and his band mines the fun (party) side as well. The Afro-Cuban/Afro-Caribbean component that makes up the art we call jazz has always been the party side. Following up on the trombonist's recordings Another Kind Of Blue: The Latin Side of Miles Davis (2005), The Latin Side Of John Coltrane (1996) and Que Viva Coltrane (2004) is this live session recorded at the Blue Note jazz club in New York 2003. The centerpiece is the nearly 25-minute title track, the infamous collaboration between Miles Davis and Gil Evans. The trombonist Herwig and his co-leader, trumpeter Brian Lynch, welcome guests Paquito D'Rivera and Dave Valentine to this furious and entertaining date. The session opens with two spirited tracks, "Solar and "Seven Steps To Heaven. These tracks are nearly perfect vehicles for a Latin touch. Herwig 's playing was inspired with this sound after stints in the bands of Eddie Palmieri, Mario Bauza and Dizzy Gillespie. Application of the clave to Miles might not be your first thought, but the overtly danceable "Solar honors not only Davis' composition, but also the nightclubs where it was originally played. The nonet stretches out a bit more on "Sketches Of Spain. D'Rivera's clarinet opens the account here, signaling the others to follow with some extraordinary playing. Then it's Herwig's turn to solo. He plays his trombone with all the control you would expect from a trumpeter, ending his solo with nifty multiphonic playing. Then, boom, we are off again with Richie Flores' percussion and congas. The piece stretches into Lynch's muted trumpet solo, which bridges into a bit of a Albert Ayler-like march! And back again with the luscious work of D'Rivera, this time on alto saxophone. The disc ends with "Petits Machins, from Filles de Kilimanjaro, a percussion-filled eruption of joy and energy. If you have to choose sides, there is no better one the the Latin side. ~ by Mark Corroto, AAJ.

Half Note, HN 4530, 2006
Recorded 6^th-8^th March, 2003 At The Blue Note, New York 

Musicians:
Conrad Herwig - Trombone
Brian Lynch - Trumpet
Mario Rivera - Baritone Saxophone
Dave Valentin - Flute
Paquito D'Rivera - Alto Saxophone, Clarinet
Edsel Gomez - Piano [Bösendorfer]
John Benítez - Bass
Richie Flores - Congas, Percussion
Robby Ameen - Drums 

Tracks:
1. Solar {Miles Davis} (13:05)
2. Seven Steps To Heaven {Miles Davis, Victor Feldman} (7:51)
3. Sketches Of Spain {Miles Davis} (24:59)
4. Petits Machins {Miles Davis} (4:26) 

Total Time: 50:21

Credits:
Producer - Jeff Levenson
Executive Producer - Steven Bensusan
Engineer, Mixing - Steven Remote [Aura Sonic Ltd.]
Engineer - Duke Marcos [8th March]
Assistant, Digital Editing - Jon D'Uva
Assistant - Andy Bigan, Mark Tomase
Mastering - Greg Calbi [Sterling Sound]
Art Direction, Package Design - Molly Gobel
Photography - Dino Perucci
Liner Notes - Bill Milkowski

Joanne Brackeen - Pink Elephant Magic (1998)

Joanne Brackeen's 22nd recording as a leader, this CD is one of her best overall recordings due to the high-quality material, the unpredictable arrangements, the variety, and the exciting and inventive solos by the pianist and her sidemen. Brackeen creates a tender version of Dave Brubeck's "Strange Meadowlark" unaccompanied, uses bassist John Patitucci and drummer Horacio "El Negro" Hernandez on of all the other selections, and is joined by trumpeter Nicholas Payton on three songs and Chris Potter (on tenor and soprano) on those three plus one other. In addition, Kurt Elling sings the eccentric "What's Your Choice, Rolls Royce" and soprano saxophonist Dave Liebman is a guest on two numbers. The young giant, Potter, in particular, excels among the supporting cast. All ten selections (seven of which are the leader's originals) have their colorful moments, particularly the whimsical "Pink Elephant Magic," a trio exploration of Jobim's "Wave," the very wide-ranging "Beethoven Meets the Millennium in Spain" and a heated version of "Tico Tico" in 5/4 time. The music is quite unpredictable but joyful and ultimately logical. Highly recommended. ~ by Scott Yanow, AMG.

Arkadia Jazz, 70371, 1999
Recorded 2^nd-3^rd June and 5^th & 25^th August, 1998 At 39th Street Music, NY 

Musicians:
Joanne Brackeen - Piano, Solo (#6)
Nicholas Payton - Trumpet (#1,5,9)
Chris Potter - Soprano Sax (#1), Tenor Sax (#5,8,9)
David Liebman - Soprano Saxophone (#4,10)
John Patitucci - Bass (#1-5,7-10)
Horacio "El Negro" Hernandez - Drums (#1-5,7-10)
Jamey Haddad - Percussion (#5)
Kurt Elling - Vocals (#4) 

Tracks:
01. Pink Elephant Magic {Joanne Brackeen} (6:42)
02. Ghost Butter {Joanne Brackeen} (5:29)
03. Wave {Antônio Carlos Jobim} (5:31)
04. What's Your Choice, Rolls Royce? {Joanne Brackeen} (5:50)
05. Beethoven Meets The Millenium In Spain {Joanne Brackeen} (8:12)
06. Strange Meadowlark {Joanne Brackeen} (7:06)
07. Tico Tico {Don Marcotte, Zequinha de Abreu, Ervin Drake} (5:17)
08. In Vogue {Joanne Brackeen} (8:25)
09. Cram'N Exam {Joanne Brackeen} (6:23)
10. Filene's {Joanne Brackeen} (7:19) 

Total Time: 66:14

Credits:
Executive Producer, Producer, Mixing, Mastering - Bob Karcy
Recording & Mixing Engineer - Dennis Wall
Assistant Engineer - Greg Griffith
Mastering Engineer - Gene Paul
Design - Gregory Downer
Studio Photos - R. Andrew Lepley
Cover Photo - Gene Martin
Liner Notes - Bret Primack

Pietro Tonolo - Luna Park (2000)

A very pleasant album by some of Italy's top-notch jazz musicians. The concept for the album is structured on compositions reflecting the joy emanating from amusement parks, and hence the title 'Luna Park'. Many of the players are renowned in their own country, but it is different case outside Europe. The album in particular is a continued showcase of the superb talents of saxophonist Pietro Tonolo, trumpeter Giampaolo Casati, trombonist Roberto Rossi and clarinetist Gabriel Mirabassi. Completing the ensemble are probably lesser known musicians, but equally skillful and they certainly come together to complement the main players. Pietro Tonolo is the nominated leader for the album and contributes a number of his own compositions. The bulk of the other tunes are penned by other Italian composers, the exception being "Klop" written by Duke Ellington but arranged brilliantly by baritone saxophonist Rossano Emili. The main delight of the album is its calm and joyful tone with all players expressing first-rate musicianship. If you haven't already done so, I truly recommend you explore other albums listing these artists, Enjoy!

Egea Records, SCA 072, 2000
Recorded 17^th & 18^th May, 2000 At Teatro Della Sapienza, Perugia 

Musicians:
Pietro Tonolo - Tenor Saxophone, Soprano Saxophone
Giampaolo Casati - Trumpet, Cornet
Roberto Rossi - Trombone
Gabriele Mirabassi - Clarinet, Clarinet [Piccolo]
Massimo Pirone - Tuba
Rossano Emili - Baritone Saxophone, Clarinet, Bass Clarinet
Francesca Rossi - Vocals (#10) 

Tracks:
01. Semitango {Pietro Tonolo} (4:26)
02. Mangiafuoco {Leandro Piccioni} (2:46)
03. Luna Park {Pietro Tonolo} (4:54)
04. The Faboulous Vassil Aprilov {Piero Leveratto} (3:14)
05. La Banda Elastica {Pasquale Laino} (6:57)
06. Klop {Arr. Rossano Emili, Duke Ellington} (4:00)
07. Barena {Pietro Tonolo} (5:45)
08. Milvo {Arr. Pietro Tonolo, Diego Soto Espinoza} (4:54)
09. Artemisia {Piero Leveratto} (2:47)
10. Ninna Nanna A Sette E Venti {Giancarlo Rizzardi} (3:43) 

Total Time: 43:26

Pietro Tonolo - Italian Songs (2005)

Pietro Tonolo on ‘Italian Songs’ brings together an international ensemble, focusing on the work of a number of Italian writers. Pianist Gil Goldstein adds an underlying lyricism and harmonic richness, lending the straight-ahead swinger "Non Mi Dire Chi Sci and tender ballad "E La Chiamano Estate undeniable jazz credibility. But on the melancholy "...E Penso a Te he layers an accordion track that instantly draws the American and Italian traditions together. On "Almeno tu Nell'Universo, a duet featuring his accordion with Tonolo's soaring soprano, the two bring together folkloric ambience with a more abstract classical impressionism. Drummer Joe Chambers relies on a more straightforward approach, with his lithe sense of swing defines the waltz of "Senza Fine and the light bossa of "Metti Una Sera a Cena, along with Essiet Okun Essiet's robust and ever-dependable bass lines. He's also comfortable veering towards more experimental territory on the mercurial "Terra Mia, featuring Tonolo exploring uncharacteristic extremes, and layers vibraphone on the poignant "Pensantodi for added color. Tonolo's virtuosity is tempered by a melody-rich approach that stays close to the center, despite the occasional hint that he's clearly capable of moving farther afield. Certainly Goldstein, Essiet, and Chambers have proven themselves equally at ease with more outré contexts over their long careers. But the ambience of Italian Songs is one of soft edges and smooth surfaces - easy on the ears but multilayered enough to continue revealing on repeat listens. ~ Extract by John Kelman, AAJ.

Egea Records, SCA 118, 2005
Recorded 23^rd-24^th May, 2004 At Cervinara Recording, Italy 

Musicians:
Pietro Tonolo - Tenor Saxophone, Soprano Saxophone
Gil Goldstein - Piano, Accordion
Essiet Okun Essiet - Double Bass
Joe Chambers - Drums, Vibraphone 

Tracks:
01. ...E Penso A Te {Battisti, Mogol} (5:17)
02. Non Mi Dire Chi Se {Bindi, Calabrese} (3:59)
03. E La Chiamano Estate {Zanin, Califano, Martino} (5:16)
04. Senza Fine {Paoli} (5:39)
05. Metti Una Sera A Cena {Morricone} (6:06)
06. Sincerità {Cocciante} (6:46)
07. Stringimi Forte I Polsi {Carpi, Chiosso, Fo} (4:00)
08. Almeno Tu Nell'Universo {Fabrizio, Lauzi} (4:19)
09. Terra Mia {Nava} (5:00)
10. Pensandoti {Calvagna, Bersani} (4:50)
11. Marcia De Esculapio {Piccioni} (2:37) 

Total Time: 53:54

Credits:
Mixing and Mastering - Angelo Cioffi
Graphics - Andrea Staiano
Cover Art - Annalisa Ciaramella
Photos - Angelo Marchese

Buster Williams - Heartbeat (1978) [re-rip]

This is a great acoustic-jazz album by bassist Buster Williams, released in 1979 on Muse Records. Players include Buster Williams on bass, Kenny Barron Pianist on four tunes, Jimmy Rowles on another, Suzanne Klewan vocalist on "Pygmy Lullabye", Ben Riley and Billy Hart share drums, plus a small string section with Gayle Dixon on violin and Pat Dixon on cello. All players get a chance to synchronise beautifully with William's majestic bass. Kenny Barron in particular excels alongside Buster. The addition of Klewan's vocals and Rowle's piano on "Pygmy Lullabye" sets a wonderfully serene atmosphere to Williams's strumming. Equally intoxicating is the sequencing of both cello and violin on both "Shadows" and "Pygmy Lullabye". Not to overlook Bill Hart and Ben Riley's contribution on drums. Overall this a very delightful album.

Muse Records, MR 5171, 1979

Recorded 28^th, 30^th, March and 3^rd April, 1978 At Generation Sound Studio, NYC

Personnel:

Buster Williams - Bass

Kenny Barron - Piano (#A1-A3,B2)

Jimmy Rowles - Piano (#B1)

Pat Dixon - Cello (#A3,B1)

Gayle Dixon - Violin (#A3,B1)

Ben Riley - Drums (#A1,A2)

Billy Hart - Drums (#A3,B1,B2)

Suzanne Klewan - Vocals (#B1)

Tracks:

A1. I Fall In Love Too Easily {Julie Styne, Sam Cahn} (5:11)

A2. Toku-Do {Buster Williams} (5:25)

A3. Shadows {Buster Williams} (9:42)

B1. Pygmy Lullabye {Jimmy Rowles} (6:54)

B2. Ruby P'Gonia {Buster Williams} (8:23)

B3. Veronica {Buster Williams} (2:33)

Credits:

Producer - Elliot Meadow

Recording Engineer - Tony May

Engineer [Assistant] - Franklin Fletcher

Arranger [Strings] - Buster Williams (#A3,B1)

Album Design, Photography [Cover] - Hal Wilson

Bill Harris - The Soul Of Jazz (1958) [re-rip]

This a rare and dynamic session, recorded by Rudy van Gelder in 1958, features an amazing All Stars cast. Essentially it showcases Bill Harris playing alongside Joe Wilder, Bobby Jaspar, Pepper Adams, Eddie Costa, George Duvivier and Art Taylor. These musicians truly display the essence of jazz and hence the album’s title is so very appropriate. The sound even though ripped from a well-loved old vinyl still comes across ‘alive and fresh’ even by today’s standards. The concept of this LP is masterminded by the arrangements and conducting skills of Billy Ver Plank. The choices of tunes are very complimentary and blend well, all the while giving the players plenty of room to solo. Well Recommended.

Generally speaking the men on the date fall into either a late swing or neo-modern period, as to their particular improvisatory allegiances. Yes, all bear the same "pure" approach to their performance of jazz. Bill Harris, veteran trombone star of the 1940's and the Woody Herman band has been a "preaching" jazzman of great fame for many years. Joe wilder, the early modern trumpet star, sparkles here with his growls, his various muses, and that unbelievably pure bell-tone while blowing a modern cascade of notes. Bobby Jaspar, Belgian import who has come to fame with J.J. Johnson and other combos on both tenor and flute, he is a "wailer" who plays in the Coltrane-Sims tradition these days. Pepper Adams, deserving of his nickname, bursts fierily throughout the proceedings. He is a Detroit export who rose to fame with Kenton, and has recently led his own combo in New York City. Eddie Costa, vibist and pianist once again proves his prowess as a tasty and ever-swinging keyboard man. George Duvivier can only be described as a "Rock" in a rhythm section ... with both beat, intonation, and "life" that are impeccable. Art Taylor, a usually intrepid bopper, illustrates his more quiet moods here, lapsing into the more normal "popping" style he has become noted for on two tracks. Basically, the tunes are simple harmonic changes, with tried harmony, open voiced for the horns, and usually ending with the traditional "Amen" chord resolution. The solo-work, in almost every case stays fairly close to the simple diatonic harmonies, yet conveying a combined "preaching" and "funky blues" feel. ~ Extract from Liner Notes by H. Alan Stein.

World Wide, MGS 20002, 1958

Recorded 5^th May, 1958, Hackensack, New Jersey

Personnel:

Bill Harris - Trombone

Joe Wilder - Trumpet

Bobby Jaspar - Tenor Saxophone

Pepper Adams - Baritone Saxophone

Eddie Costa - Piano

George Duvivier - Bass

Art Taylor - Drums

Tracks:

A1. You Gotta Be A Good Man {David} (8:41)

A2. Each Side Of The River {David} (4:48)

A3. Where Ya Gonna Run To? {David} (5:08)

B1. I Can't Believe It {David, Cadena} (6:33)

B2. What Should I Do? {David} (3:57)

B3. Royal Garden Blues {Williams} (6:27)

Total Time: 35:34

Credits:

Supervisor - Ozzie Cadena

Recording Engineer - Rudy van Gelder

Arranger, Conductor - Billy Ver Planck

Cover Photo - Hank Schneider

Liner Notes - H. Alan Stein

Dado Moroni Trio - Enzirado (2015)

Here we have splendid trio work formed by pianist Dado Moroni with bassist Ira Coleman and drummer Enzo Zirilli. All players have Italian heritage and are considered 'jazz masters' in their own right. These three performers, as Dado suggests come together to 'merge their experiences giving life to a project where tradition and modernity merge admirably'. The album title "Enzirado" is an acronym of their names and 'an imaginative word that "sounds" festive, joyful, as well as the sound of the disc which is exciting and nevertheless engaging and not frantic'. These individuals have known each other for quite some time, but due to commitments haven't always had the opportunity to play together. Such was the excitement 'we can't wait' that this collaboration arose to produce this fine album, a testimony of their friendship and synthesis of musicianship. The album features nine tracks, six of which are originals by Dado himself with one played as a solo "First Smile." Also included is a co-written piece by Enzo Zirilli and Ira Coleman and played as a duet. The two remaining tunes are classic jazz tunes; "Isn't It A Pity" by George Gershwin and "The Cup Bearers" by Tom McIntosh. Overall, this album conveys a Latin mood, which gives a sense of relaxation and enjoyment, by combining lightness, easy listening and, at the same time, intensity and power, Enjoy!

Abeat Jazz, ABJZ 186, 2018
Recorded 11^th February, 2015 At Zerodieci Studio, Genova, Italy 

Musicians:
Dado Moroni - Piano, Electric Piano
Ira Coleman - Double Bass (#1-7,9)
Enzo Zirilli - Drums (#1-7,9) 

Tracks:
1. The Mighty Bobcat {Dado Moroni} (5:44)
2. Three Angels {Dado Moroni} (6:20)
3. Enzirado {Dado Moroni} (7:12)
4. Isn't It A Pity {George Gershwin} (7:34)
5. Black Forest Blues {Dado Moroni} (6:12)
6. Enzira {Enzo Zirilli, Ira Coleman} (2:49)
7. Blue Or What? {Dado Moroni} (6:59)
8. First Smile [Piano Solo] {Dado Moroni} (4:09)
9. The Cup Bearers {Tom McIntosh} (4:31) 

Total Time: 51:30 

Credits:
Producer, Recording, Mixing & Mastering - Roberto Vigo
Design - Marina Barbensi
Photography [Other Photos] - Walter Miglio
Photography [Cover] - Fiorenzo Pellagatta
Liner Notes [English Translation] - Dado Moroni

Shigeko Suzuki - Winds Of My Heart (1997)

This recording is another vibrant album released by Shigeko Suzuki who in her own country is considered one of Japan's jazz queens, but elsewhere she is lesser known. It follows in the footsteps of Premiére (1995) and Brisa (1996), both which were well received. For this album she showcases twelve charming and lyrical jazz masterpieces. Shigeko is best at Latin styles such as bossa nova, samba, and rumba, and those talents are certainly highlighted here on a number of the tunes. What makes this album more of a standout is the inclusion of keyboardist Kenny Werner, who also acts as both producer and arranger for the album. Other great strengths are the addition of tenorist Harry Allen and guitarist Jay Azzolina whom both outstandingly input further sensitivity into the chosen pieces. The selected compositions fall roughly into two categories, one is in the Latin-style, and the other embodying some more familiar jazz standards. Shigeo's style is a lot softer than most divas, but she certainly displays her ability to shape notes delightfully and in this regard some of the highlights include "Someone's Waiting For You” - “Over The Rainbow", "Love Is A Many-Splendored Thing" and "What A Wonderful World" made famous by Louis Armstrong. Here, Kenny, re-jigs the tune, making Shigeko's interpretation a lot softer and deeper than the original. At first the album comes across as an easy listening affair, but on further appraisals there is great delicacy and depth conveyed by this fine Japanese vocalist, enjoy! 

Novus J, BVCJ-646, 1997
BMG Records, BVCJ-37592, 2007 

Musicians:
Shigeko Suzuki - Vocals
Harry Allen - Tenor Saxophone
Kenny Werner - Piano, Synthesizer
Jay Azzolina - Guitar
Tony Marino - Bass
Jamey Haddad - Drums, Percussion 

Tracks:
01. Wave {Antônio Carlos Jobim} (6:42)
02. The Shadow Of Your Smile {Johnny Mandel, Paul Francis Webster} (5:49)
03. I Remember You {Johnny Mercer, Victor Schertzinger} (3:47)
04. Colors Of The Wind {Alan Menken, Stephen Schwartz} (4:21)
05. Beautiful Love {King, Young, Van Alstyne, Haven Gillespie} (3:40)
06. Someone's Waiting For You { Carol Connors, Sammy Fain, Ayn Robbins } /
Over The Rainbow {Harold Arlen, Yip Harburg} (5:27)
07. Love Is Many-Splendored Thing {Sammy Fain, Paul Francis Webster} (4:53)
08. No More Blues {Antônio Carlos Jobim, Vinícius De Moraes} (3:04)
09. My Cherie Amor {Stevie Wonder, Henry Cosby, Sylvia Moy} (5:00)
10. What A Wonderful World {Bob Thiele, George David Weiss} (5:21)
11. The Gift [Recado Bossa Nova] {Luiz Bonfá, Matt Dubey} (5:15)
12. Two For The Road {Leslie Bricusse, Henry Mancini} (4:41) 

Total Time: 58:00

Jacky Terrasson - What It Is (1999)

Pianist Jacky Terrasson is characteristic of today’s young jazz players. For a time, he seemed determined to capture the kind of piano trio classicism embodied by the likes of Bill Evans, with a developing sense of innate communication with minimalist drummer Leon Parker, and bassist Ugonna Okegwo, culminating in their satisfying live recording Alive. The path has changed for Terrasson this time out however, perhaps owed to sheer restlessness. It’s a shame that Jacky’s generation evidences little interest in developing a real band concept. 

All that’s not to condemn the current release; there is indeed a lot to like here as Terrasson has determined to showcase his original compositions performed by a varied cast whose core is Okegwo and drummer Jaz Sawyer. Produced by percussionist Mino Cinelu, Terrasson envelopes himself in rhythms from a variety of cultural sources, engages such disparate voices as harmonica player Gregoire Maret, guitars, electric basses, and tasteful use of keyboards to augment his piano in several instances. These landscaping tools are all in service to an attractive program of pieces, from originals to an arrangement of Ravel’s “Bolero.” Most notable is the comely line “Baby Plum,” which hosts Michael Brecker’s tenor and Richard Bona’s African bass. ~ Willard Jenkins, JazzTimes.com. 

Blue Note, 7243 4 98756 2 3, 1999
Recorded 16^th-18^th & 27^th November, 1998 At Avatar Studios, New York City 

Musicians:
Jacky Terrasson - Piano (#1-7,9) Fender Rhodes (#4,6,9), Organ [Wurlitzer] (#8, Shekere (#9)
Michael Brecker - Tenor Saxophone (#2,8)
Rick Centalonza - Flute (#1,9), Oboe (#9)
Jay Collins - Flute (#5,6)
Adam Rogers - Guitar (#1,7)
Ugonna Okegwo - Acoustic Bass (#2,3,5,6,9)
Fernando Saunders - Electric Bass (#1,7,9)
Richard Bona - Electric Bass (#4,8)
Jaz Sawyer - Drums (#2,4,5,6,9)
Mino Cinelu - Drums (#1,3,7 Percussion (#1,2,4,5,7-9), Sounds [Effects] (#6), Guitar (#9)
Gregoire Maret - Harmonica (#5,6)
Xiomara Laugart - Lead Vocals (#4) 

Tracks:
1. Sam's Song {Jacky Terrasson} (7:28)
2. What's Wrong With You! {Jacky Terrasson} (5:58)
3. Little Red Ribbon {Jacky Terrasson} (5:21)
4. Better World {Jacky Terrasson} (3:01)
5. Toot-Toot's Tune {Jacky Terrasson} (6:32)
6. Money {Roger Waters} (4:44)
7. Le Roi Basil {Jacky Terrasson} (8:35)
8. Baby Plum {Jacky Terrasson} (5:48)
9. Ravel: Bolero {Maurice Ravel} (6:36) 

Total Time: 54:03

Credits:
Producer, Additional Sound Effects - Mino Cinelu
Arranger - Jacky Terrasson
Recording (#1,7,9) & Mixing Engineer - Neil Dorfsman
Recording Engineer - Rob Eaton (#2-6,8)
Mastering Engineer - Leon Zarvos
Art Direction, Design - Jessica Novod
Creative Director - Gordon H Jee
Management - The Management Ark
Photography - Barron Claiborne