Friday, March 29, 2013

Houston Person - The Talk Of The Town (1987) [vinyl>flac]


This Muse recording differs from many of tenor saxophonist Houston Person's previous ones in that Person is backed by a piano rather than an organ; he sounds inspired by the "new" setting. Person heads a sextet also including trumpeter Cecil Bridgewater, pianist Stan Hope, bassist Buster Williams, drummer Grady Tate and percussionist Ralph Dorsey. They perform the tenor's "Just For You" and five standards, with the highlights including Benny Carter's "Only Trust Your Heart," "Almost Like Being in Love" and a blues-drenched version of "It's the Talk of the Town." A particularly strong effort by the very consistent tenor great. ~ Scott Yanow, All Music Guide.

Muse Records, MR 5331, 1987
Recorded 23rd January, 1987 at Van Gelder Studio, Englewood Cliffs, New Jersey

Track Listing:
A1. Only Trust Your Heart {Benny Carter, Sammy Cahn} (7:21)
A2. Everything Happens To Me {Tom Adair, Matt Dennis} (6:03)
A3. Almost Like Being In Love {Frederick Loewe, Alan Jay Lerner} (6:49)
B1. It's The Talk Of The Town {Jerry Livingston, Al J. Neiburg, Marty Syme} (7:22)
B2. Just For You {Harry Warren} (4:14)
B3. I'll Never Be Free {George David Weiss, Bennie Benjamin} (7:29)

Personnel:
Houston Person - Tenor Saxophone
Cecil Bridgewater - Trumpet
Stan Hope - Piano
Buster Williams - Bass
Grady Tate - Drums
Ralph Dorsey - Percussion

Credits:
Recording Engineer - Rudy Van Gelder

Saturday, March 23, 2013

Charlie Barnet - Skyliner

Well, as promised here's one of Charlie Barnet's most infamous albums from his orchestra's glory days.  If you ever buy or see a big band comp with Barnet included, the tune Skyliner is almost certainly going to be there.

If you Google "Charlie Barnet Skyliner", a prolific amount of albums will be displayed.  All you need to know is that this is the REAL deal, the original Skyliner on Decca.  His band arguably released their most popular sides with Bluebird during the late 30's and early 40's, but Skyliner was still one of the best.

As far as the playing goes, expect the usual quirky and fun style that you heard on the last post, Cherokee.  The soloing is sporadic but the ensemble work is tight.  Peanuts Holland really makes the session with an awesome rendition of Drop Me Off In Harlem.  I could be wrong, but I am pretty sure when this was released in 1944, the Foxtrot was the rage - and can be heard on Skyliner.  I hope some of you will take a chance on a great piece of jazz history, and one of the more interesting jazz figures from the big band era.  Barnet was well respected by Basie and Ellington, and as such remains in the annals of 40's jazz storytelling (mostly for the bands wild antics off stage).  It should also be noted that at the time of this recording, Barnet and other like minded leaders were moving away from "audience driven" jazz and into something more like what bop was to become.  At this point the arrangers were really key and Barnet knew it inviting some of the best to voice his orchestra.  Generally speaking, Barnet didn't care for being popular or mainstream - he just wanted to have fun playing the most contemporary jazz of the day.

I know that when you hear this music, it's hard to imagine that the players could have possibly been "cutting edge", or considered outsiders.  I think that overall, Barnet wisely towed the line between both sides of the coin.  The bottom line is, this fun, sophisticated music should never be forgotten!!

This was ripped at 24/44.1 wav and dithered to 16/44.1 FLAC.  The album is in excellent condition, an original US pressing!!  A real jewel in my collection, and in fabulous mono of course.   Get ready to have some fun... Enjoy!!!

DECCA DL8098
1944

The best I can find is a list of his band members for BOTH of his DECCA releases.  I can't nail down exactly who is on this album, but Peanuts Holland and Dodo Marmarosa are a definite.  Can anybody help??

Charlie Barnet (soprano, alto & tenor saxophones);
Peanuts Holland, Art Robey (vocals, trumpet); 
Frances Wayne, Kay Starr (vocals); 
George Bone, Conn Humphries, Murray Williams, Buddy DeFranco (alto saxophone); 
Kurt Bloom, James Lamare (tenor saxophone); 
Bob Dawes (baritone saxophone); 
Roy Eldridge, Art House, Irving Berger, Joe Ferrante, Chuck Zimmerman, Al Killian, Jimmy Pupa, Lyman Vunk, George Seaberg (trumpet); 
Lawrence Brown, Russ Brown, Kahn Keene, Wally Baron, Bill Robertson, Eddie Bert, Ed Fromm, Spud Murphy, Bob Swift (trombone); 
Dodo Marmarosa (piano); 
Tommy Moore, Barney Kessel (guitar); 
Jack Jarvis, Bob Elden, Irv Lang (bass); 
Cliff Leeman, Harold Hahn (drums)

Thursday, March 21, 2013

David 'Fathead' Newman - Fire!

I believe that this is the album pmac was referring to in his comment to the previous post; it is available cheap at Collectables so this is an mp3 copy.

"For this excellent all-around date, David "Fathead" Newman and a fine rhythm section (pianist Kirk
Lightsey, vibraphonist Steve Nelson, bassist David Williams and drummer Marvin "Smitty" Smith) are joined by tenor saxophonist Stanley Turrentine on "Wide Open Spaces" (a tune that years earlier
Newman had recorded with fellow tenor James Clay), altoist Hank Crawford on "Lonely Avenue" and both Turrentine and Crawford on two other songs. In addition, Newman takes "Filthy McNasty" as a flute feature and is showcased on the opening "Old Devil Moon." An enjoyable set of soulful, straight-ahead jazz." AMG

A really fine live set, must have been some hot stuff to see.

Monday, March 18, 2013

Sonny Stitt - My Mother's Eyes (1963) [vinyl>flac]

It seems Sonny Stitt can’t go wrong in the eyes of most jazz lovers, so here we have another great earlier album from the master. Enjoy!

A rare one for Sonny Stitt - an album for Pacific Jazz recorded on the west coast, but done with some hard-burning organ work by Charles Kynard that easily matches any of Stitt's best soul jazz sides from the east! There's a tightly cooking feel to the entire set that's really great – a style that's slightly different than Sonny's work for Argo or Prestige, but which is equally great – thanks to fluid lines on Hammond from Kynard, and some great guitar from the under-rated Ray Crawford. The group's completed by Doug Sides on drums – and titles include "Blue Skies", "Sitt In Time", "Summer Special", "My Mother's Eyes", and "SOP Blues". (Out of print.) © 1996-2013, Dusty Groove, Inc.,


Pacific Jazz, PJ-71, 1963
Recorded May, 1963 in Los Angeles, California

Track Listing:
A1. Summer Special {Sonny Stitt} (3:37)
A2. My Mother's Eyes {Abel Baer, Wolfe Gilbert} (5:24)
A3. Stitt In Time {Sonny Stitt} (4:12)
A4. Blue Skies {Irving Berlin} (4:01)
B1. My Mother's Eyes {Abel Baer, Wolfe Gilbert} (5:23)
B2. S.O.P. Blues {Sonny Stitt} (4:13)
B3. Don't Go To Strangers {Redd Evans, Arthur Kent, Dave Mann} (5:25)
B4. Red Top {Ben Kynard, Lionel Hampton} (3:19)

Personnel:
Sonny Stitt - Tenor Saxophone
Charles Kynard - Organ
Ray Crawford - Guitar
Doug Sides - Drums

Credits:
Producer - Richard Bock
Cover, Photography - Woody Woodward
Liner Notes - Bob Porter

Sunday, March 17, 2013

Thad Jones And Mel Lewis Quartet

I'm really thrilled about this post.  While visiting my local antique shop, a source for jazz vinyl, I came upon this new arrival.  It was still sealed and only $5!!!  I snatched it up in a flash...

For any fans of Thad Jones, this session is an important one.  This was recorded live at the Airliner Lounge in 1977.  It's one of the last which features him in a small group.  On that note, it could aruguably be one of his best - even bringing Scott Yanow to award it 5 stars.  His playing is certainly on par with any of his Blue Note efforts.

Of course, this is a co-lead side so Lewis busts out a few times as well.  Infact, the whole band can be heard, each taking soulful and moving solos.  Rufus Reid is incredible on this one.  The whole group play brilliantly, with top flight interaction.

Overall, the album is a real gem and reminds us why Thad Jones and Mel Lewis are so important as musicians, not just arrangers or composers.  The best part about this post???  The minty status of our source!!!  This transfer came out incredibly... absolutely beautiful tone.  The mono recording throws a huge field of sound with wonderful seperation between the players.  Aside from that, I also have the 8 page booklet!!!  This includes full discographies for both Jones and Lewis, full session info, pics and even a transcribed cornet solo!!  This should make a wonderful upgrade, especially for those who have this sourced from the stereo CD.  Ripped at 24/44.1 wav and dithered to 16/44.1 FLAC... enjoy!!!

Artists House AH-3
1978

A1 But Not For Me 16:30
A2 This Can't Be Love 3:52
B1 Autum Leaves 15:25
B2 What Is This Thing 4:45

Bass – Rufus Reid
Cornet – Thad Jones
Drums – Mel Lewis
Piano – Harold Danko

Friday, March 15, 2013

The Fourth Way

That's right, you are looking at the original and only studio album made by this seminal jazz fusion band. Looking through the album credits it gives you the impression that Mike Nock was the de-facto leader in that he wrote seven of the eight compositions (Michael White wrote Dance of the Mechanical Men). This album is not anywhere near as spacey as the two live albums to follow which, oddly enough, makes it the least dated sounding of the three albums they produced. What you hear on this album is a quartet of accomplished musicians exploring fresh new frontiers in music. Being the late 60's, early 70's there is the seemingly required spiritual path reference, in this case the writings on Sufi philosophy of G.I. Gurdjieff and P.D. Ouspensky. Given that the band was based out of San Francisco I guess you could say this was a 'hippie jazz' group - lots of hippies, myself included, dug this band. Even my friends who were bored to tears with most of my music dug these guys. One reason may be that they kept Ron McClure and Eddie Marshall way up forward in the mix and even rock fans could tell that they were beasts.

The Fourth Way
Capitol Records 1969

1) Everyman's Your Brother
2) Clouds
3) Sparky
4) Bucklehuggin
5) Openings
6) Gemini Trajectory
7) Dance of the Mechanical Men
8) The Sybil


Wednesday, March 13, 2013

Sonny Stitt - Black Vibrations (1971) [vinyl>flac]


"Sonny Stitt joins up with a tight group of prime Prestige funky players – like Idris Muhammad, Leon Spencer, Melvin Sparks, and Virgil Jones – for a sound that's much funkier than some of his other records for the label. The set's got a good set of modern funk tracks, with all the quality moments you'd expect from these top-notch players. Titles include "Goin' To DC", "Calling Card", "Them Funky Changes", and "Black Vibrations"." Of special interest are the tracks where Don Patterson who at Stitt’s insistence, took over the organ from Leon Spencer.

This date ‘has some good Jones trumpet and finds Stitt playing acoustically and switching to alto on two of the six jams, but once again it is the nonstop chugging of Sparks, Muhammad and either Leon Spencer or guest organist Don Patterson that fuels the fire.’ ~ Scott Yanow, AMG.

Prestige Records, PR 10032, 1972
Recorded 9th July, 1971 at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey

Track Listing:
A1. Goin' To D.C. {Leon Spencer Jr.} (7:23)
A2. Aires {Don Patterson, Sonny Stitt} (5:33)
A3. Black Vibrations {Leon Spencer Jr.} (6:41)
B1. Calling Card {Sonny Stitt} (6:26)
B2. Where Is Love? {Lionel Bart} (2:22)
B3. Them Funky Changes {Leon Spencer Jr.} (7:55)

Personnel:
Sonny Stitt - Alto Sax (A1,B2), Tenor Sax (A2,A3,B1,B3)
Virgil Jones - Trumpet
Melvin Sparks - Guitar
Leon Spencer Jr. - Organ
Don Patterson - Organ (#A2,B1)
Idris Muhammad - Drums

Credits:
Producer - Bob Porter
Recording Engineer - Rudy Van Gelder